A Quote by Nathan Crowley

You have to take chances - working in film is a mixture of luck, talent, and ability to take the risk. You have to be optimistic. You can't be a pessimistic person. — © Nathan Crowley
You have to take chances - working in film is a mixture of luck, talent, and ability to take the risk. You have to be optimistic. You can't be a pessimistic person.
The greatest risk is really to take no risk at all. You've got to go out there, jump off the cliff, and take chances.
When asked if I am pessimistic or optimistic about the future, my answer is always the same: If you look at the science about what is happening on earth and aren’t pessimistic, you don’t understand data. But if you meet the people who are working to restore this earth and the lives of the poor, and you aren’t optimistic, you haven’t got a pulse.
What's frustrating to me is when, on a low-budget movie, people don't take chances. A big-budget movie, that script's your bible; nobody's going to risk going off the page. But when you're doing a very low-budget film, why not take some chances, intellectually, artistically?
They have the ability to take a person's freedom from them. On certain situations, they have the ability to take a person's reputation. And under certain circumstances, they have the authority to take a person's life.
I think luck is the sense to recognize an opportunity and the ability to take advantage of it... The man who can smile at his breaks and grab his chances gets on.
Well, the studios don't really want to take those risks right off the bat. They'll take the risk after they've seen the finished product and say oh yeah we want that. This is a great film but they are hesitant to take the risk when you just see it on paper.
Netflix is so amazing because they take chances. They'll take a risk, be edgy, be quirky.
Our lives improve only when we take chances - and the first and most difficult risk we can take is to be honest with ourselves.
I am in general a very pessimistic person with an optimistic, day to day take on things. The bare facts of life are utterly terrifying. And yet, one can laugh. Indeed, one has to laugh precisely because of the darkness: the nervous laughter of the trenches.
There are certain filmmakers I'd like to work with that I don't think would take a risk with me, because I could be distracting in their film. It'll take a couple films to prove to them that it's worth the risk.
Enormous self-belief, intuition, the ability to take a risk at a critical moment and go in for a very dangerous play with counter-chances for the opponent - it is precisely these qualities that distinguish great players.
Don't be afraid to take chances. The biggest risk is not taking any risk.
If you're very talented and keep winning, you'll do just fine. It may take a while. But the talent is hard to identify and talent is hard to tell from luck. There's an awful lot of luck in this business. Past performance is not helpful in judging future performance.
I've been joking that if Madonna taught us anything, you've got to reinvent yourself. I think it's important as a filmmaker, as any person working in the arts, that you've got to try new stuff and challenge yourself and take chances. I've tried to take a chance with every film I've done - I've never done it the easy way, and I think that's because that's what excites me, is making as big a mountain as I can in front of me, and just trying to mount it.
Salman Khan did not help me get movie offers. What rubbish! Will any producer take a risk of millions of rupees at the instance of any person? Everyone knows that the film industry is highly competitive, and one gets a job on one's talent only and not on any recommendation.
I like to take wickets and see wickets and chances and I think in T20 cricket you have to risk a boundary to take a wicket.
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