A Quote by Nathan Parsons

In L.A., you constantly go on auditions, and you're usually not what they're looking for - you get used to going back and back to the same show, and nothing happens. — © Nathan Parsons
In L.A., you constantly go on auditions, and you're usually not what they're looking for - you get used to going back and back to the same show, and nothing happens.
I wanna get back To the old days When the phone would ring And I knew it was you I wanna talk back And get yelled at Fight for nothing Like we used to Oh kiss me Like you mean it Like you miss me Cuz I know you do I wanna get back, get back I wanna get back, get back I wanna get back, get back Get Back
When you have a nightmare, you think, 'What caused this?' And then you can sometimes get the same scenario two or three nights, back to back. Or something really bad happens, and you feel absolutely sad and do not want it to be real. You don't want to fall asleep and get sucked back into that same dream.
I think going back to the early days of the show [Suits], even back to the pilot, we've always used movie references. It's always just been intertwined in the life of the show, and that is born out of my - everything to me reminds me of a movie that I've seen, so I'm constantly in my life referencing those things.
Nothing is going to stay the same; nothing's gonna sound like in 1952. There's some stuff that has some elements of back in the day, like back in the 90's, back in the 80's or whatever. Some elements, but it's not going to be the same, exactly, sounding. And I love it, I've seen the music change. I've seen the flow and the energy go from turned up to turned down to back to turned up. I like to try different stuff. I don't like to do the same old thing over and over again. I don't like to be repetitive, that gets on my nerves.
Not going back is fine. Not going back but occasionally visiting might be best. Not going back but remembering so you don’t see the same view twice. Not going back so you can turn a new page, write a new chapter, develop an entire new list. Not going back so you can stretch and grow and see yourself in a light that you never knew existed. Not going back so that you can fly. Fly.
Often we want to go back to the familiar, go back to where we felt our life pause, but nothing is ever the same.
I like the thought that what we are to do on this earth is embellish it for its greater beauty, so that oncoming generations can look back to the shapes we leave here and get the same thrill that I get in looking back at theirs - at the Parthenon, at Chartres Cathedral.
When I started looking for pointed shoes, I used to go to Fairfax on Orchard Street in New York City, one of those little pushcart guys. I'd say, 'You got any pointy shoes?' They would go way, way in the back and come back with a dusty box, blow the dust off the top, and say, 'What do you want with these things? Give me twenty bucks. Go on, get outta here!' And that was the beginning.
It's important for me to go back into the ghetto, where I'm from. I still get my oxygen from there. I don't live in the ghetto but every time I go back, I'm seeing the same things that I lived. That's one of the things I mean when I say, "My feet back onto the ground."
There's nothing worse than putting two similar shows back-to-back. Viewers don't want to watch one show and then sit through another half-hour of almost the same thing.
If you're looking to get silly, you better go back to from where you came. because the cops don't need you and man they expect the same.
When I got back into show business in 1961, I felt - for obvious reasons - that nothing in my life went right, and I realized that millions of people felt the same way. So when I first came back my catch phrase was "nothing goes right." Early on, that was my setup for a lot of jokes.
The stories we sit up late to hear are love stories. It seems that we cannot know enough about this riddle of our lives. We go back and back to the same scenes, the same words, trying to scrape out the meaning. Nothing could be more familiar than love. Nothing else eludes us so completely.
The breezes at dawn have secrets to tell you Don't go back to sleep! You must ask for what you really want. Don't go back to sleep! People are going back and forth across the doorsill where the two worlds touch, The door is round and open Don't go back to sleep!
I didn't like hovering above myself and looking back, or going through a door and thinking, How many times did I just go through that door? How do I get back? You know, that's not for me.
I keep going back as if I'm looking for something I have lost. Back to the motherland, sisterland, fatherland. Back to the beacon, the breast, the smell and taste of the breeze, and the singing of the rain.
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