A Quote by Nathan Phillips

For my first Hollywood film, I really didn't want to be doing a film where I'm looking like a stooge with fake snakes that look like socks. — © Nathan Phillips
For my first Hollywood film, I really didn't want to be doing a film where I'm looking like a stooge with fake snakes that look like socks.
I never thought in terms of a "breakthrough" film. I wasn't looking for fame or a career path into Hollywood. I was doing it for myself. I just wanted to make a film that I really loved. If other people liked it, great. But you can never guess what other people are going to like.
I don't like making fake things. And digital images that look like fake paintings disturb me. But when they don't look fake, I don't really have a problem with it. You're not looking at an original piece of art anyway: when it gets scanned for printing it becomes digital.
The digital process gives me total control over how I want the film to look. The films look like they did when I was first looking through the viewfinder.
I'm not trying to be self-serving, but you know, you get to Hollywood, and if you want to make something big and loud and dumb, it's pretty easy. It's very hard to go down there and make a film like 'Sideways,' which I thought was a great film. They don't want to make films like that anymore, even though that film was very successful.
What I want to do is make things that I think people want to watch. I'm a film fan, so I think I'm in touch with other film fans and that they might want to watch stuff. The other reason I really don't care is because no matter what you do in life, no matter what you wear, or what you say, people are going to like it or they're not. And that is all. Everything, down to the socks I chose today - people are going to like them or they're not and there's nothing you can do about that.
I really don't see myself being apart from music. I like doing lots of different things. I've been involved in film for quite a long time and I just like doing film.
I really discovered [Dr.Strange] through hearing about this film and first meeting Scott [Derrickson] and getting into it and just opening up and saying, "Okay, this is, like all comics, very much of its era," and my first question was, 'How do you make this film? Why do you make this film now?' and the answers were so enticing that I was like, "I'm in."
I find that male directors are more interested in what the film looks like as opposed to what the film is about emotionally. My job is not to make the film look pretty, and I don't feel drawn to making myself look pretty within the film.
Think about Medusa, with the snakes. If you shoot a movie in Europe, the financiers are three snakes, and they all have opinions. In Hollywood there are, like, 20 snakes.
When you're making a film, you don't really have time to consider what the whole of your film is. And then, when you're releasing your film and promoting your film, you're looking at it in a different way. Then, as you move away from it, you start to look at it objectively and think, 'What could I have done better?'
I really love action. I really love doing my own stunts. I would love to do more of that. I've done a lot of TV, but my heart is really in film. I really look forward to the film possibilities. I would love to dance in a movie again. I love all those creative aspects, like playing an instrument or dancing. I look forward to all that stuff, in future roles.
'Saw,' in many ways, was like my student film. The first crappy student film you don't really want people to see.
It's always scary when you're doing a sequel to a film, because you don't want to just repeat the first film in a different location like most sequels. You want to do something totally different, and something that actually expands the world of the main character.
It's a question of dropping the armor and getting up and doing the work you want to do. And film at first is frightening because you are like, 'What's that camera doing?' But then it becomes family and therefore a really wonderful experience.
When I finish a film, I want to forget it. I never like to repeat myself. Maybe, when I am dead, they will find certain consistencies in the style of my films, but I never want one film to look like another.
I remember when I was like 19 years old and I started a desk calendar company to pay for my first short film, just so I could say one day that my daddy didn't pay for my first short film. And I really established myself in the film festival world.
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