A Quote by Natasha Little

I'm guilty of it myself, sort of thinking, 'Classic novels: snoozeville.' But there is a huge amount of wonderful material. — © Natasha Little
I'm guilty of it myself, sort of thinking, 'Classic novels: snoozeville.' But there is a huge amount of wonderful material.
I've always relied on producing more material than I need. With each of my published novels I've written around four times the amount of material that's ended up in the book.
I needed a huge amount of energy to cope with my life. I had a huge amount of energy where stuff was concerned: it was as if all this unconscious material had been unleashed.
here's a huge amount of work that goes into placating a network in regular television. It's literally 70% or 80% of your workload, is showing them the material, getting their notes and presenting it to them and making sure they weigh in. It's a huge amount of work.
Our commitment to Afghanistan is a long-term one. We put a huge amount of resources into trying to make sure there is peace in that country, a huge amount of development assistance, a huge amount of political support for the government.
With 'The Tudors,' I had a huge amount of material, I mean so many books and so much stuff about what they really said. So, in a way it was kind of trying to strip it out and find the stories inside all this material.
My writerly aspirations are pretty simple: to provide as many readers as possible with the same sort of wonderful immersion that I myself get from fantasy novels - and to make enough money to help feed my kids while doing so.
I think Ralph Fiennes has had a really wonderful career; there's something sort of classic about him. He does a bunch of different projects, but he approaches the work from a very sort of artful way.
In Pakistan, many of the young people read novels because in the novels, not just my novels but the novels of many other Pakistani writers, they encounter ideas, notions, ways of thinking about the world, thinking about their society that are different. And fiction functions in a countercultural way as it does in America and certainly as it did in the, you know, '60s.
I know I would have learned a huge amount had I read the bible with my rabbi. But I also would have missed a huge amount, and I would have been guided down the narrow paths where the rabbi led me, not the paths that I chose for myself.
I absolutely adore classic crime and read a huge amount as a teen - Agatha Christie, Dorothy L. Sayers, Sherlock Holmes, Josephine Tey, and many more.
Running your own business is a huge amount of fun, but there's also a huge amount of seriousness, so actually, they level out.
Everybody knows Aaron Sorkin's scripts. There's a huge amount of lines. There's a huge amount of interchange. You gotta do a lot of learning to be able to get it up to pace.
I know I'm guilty of and I think a lot of people are guilty of sort of getting starry-eyed with love and sort of looking over the bad things and keep going and you don't really prepare for how much work marriage really is.
When I write my novels I don't really have a huge plan beforehand; I don't have the whole plot and architecture, so the story is sort of discovered as I write it.
My size wasn't something that I'd ever spent a huge amount of time thinking about - I guess at the age of 17 or 18 you don't.
I project myself so deeply into the characters in novels that I'm not thinking about my own life.
This site uses cookies to ensure you get the best experience. More info...
Got it!