A Quote by Natasha Trethewey

I know that my tendency is to be linear, and I'm trying to find ways to subvert that. And so in 'Bellocq's Ophelia' my device for subverting it was to tell the story and then to tell it again; it always circles back to this one moment, and it's not linear, but it's round in that way, and much of 'Native Guard' is like that.
I never write in a linear way. And I tell students not to. You can only know so much about a book when you first start.
It is very linear storytelling, and I think that's not so much the fashion. I was watching a new drama the other night which was extremely non-linear, where you flash back and flash forward in ways that certainly keeps you on your toes as the audience. There's not much of that courage with the storytelling in our Maigret film.
Anytime I've ever been involved in a non-linear story, you see it in a linear manner first, just to make sure it makes sense, and then you chop it up and move it around.
All of us are linear thinkers. We evolved in a world that was local and linear. You know, back 100,000, 200,000, millions of years ago, when we were evolving as a human species, nothing changed. You know, the life of your great-grandparents, you, your kids - it was the same. And so we are local and linear thinkers.
You know, Italian-Hungarian - no matter how linear and cool I look on the outside, I have all that energy trying to find its way through life.
I know when someone that's not you tries to tell your story, especially when you don't look like the person whose story you're trying to tell, you're going to screw it up. And the only way to get it right is to have them be as involved as possible.
The entirety of 'Bellocq's Ophelia' was a project, and I was interested in doing research and looking at photographs and writing about them, imagining this woman Ophelia and what her life was like and the kinds of things she thought about.
I don't believe that life is linear. I think of it as circles - concentric circles that connect.
It's only a story, you say. So it is, and the rest of life with it - creation story, love story, horror, crime, the strange story of you and I. The alphabet of my DNA shapes certain words, but the story is not told. I have to tell it myself. What is it that I have to tell myself again and again? That there is always a new beginning, a different end. I can change the story. I am the story. Begin.
Public figures talk and act as if environmental change will be linear and gradual. But the Earth's systems are highly complex, and complex systems do not respond to pressure in linear ways.
I think the major device for me is that narrator's voice. I'm always trying to find a different kind of form to tell whatever story it is, and I wish that weren't so, because it drives me crazy.
You're always just trying to make your film, tell the story you're trying to tell - best you can, you know.
We know that the end of any conflict is always messy. It's never a linear path when you've been at war for almost 20 years. It's never a clean, straight linear path to the end.
To make films, it always begins with two words: what and how. First of all, you have to find a story, or what are you going to tell? And you have to find a way to tell it visually.
Everything the Power of the World does is done in a circle. The sky is round, and I have heard that the earth is round like a ball, and so are all the stars. The wind, in its greatest power whirls. Birds make their nest in circles... The sun comes forth and goes down again in a circle. The moon does the same and both are round. Even the seasons form a great circle in their changing, and always come back again to where they were.
To me, we're living in a non-linear world... But the truth is we are linear creatures. Everything unfolds one after the next. And that's the thing we've become disconnected from.
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