A Quote by Natti Natasha

When I was little, I used to listen to Lauryn Hill, so that's that hip-hop and R&B influence in me. — © Natti Natasha
When I was little, I used to listen to Lauryn Hill, so that's that hip-hop and R&B influence in me.
I appreciate people who make hip-hop... the way A Tribe Called Quest and Lauryn Hill and KRS-One did it.
Growing up in Miami, I had all these great, strong influences. Being Cuban and the Latin influence, but also the strong hip-hop influence. I know that people everywhere listen to hip-hop, but especially being from the South, you really get that influence. You go out, you party, and it's just always there.
I definitely listened to Lauryn Hill - her's was like the first album I bought myself. Brandy's Never Say Never and Lauryn Hill's The Miseducation of Lauryn Hill were always in rotation for a couple of years.
There was a time when we had a nice little run: Eve, Lil' Kim, Queen Latifah, Missy Elliott, Lauryn Hill, Remy Ma, Da Brat - it goes on. But what I noticed is that a lot of talented females in hip-hop came out of a male camp.
We listen to a lot of hip hop. They're the ones that are trailblazing. It used to be rock, but it's really turned to hip hop, and they're doing really unique and cool things, and we wanted to do that, too.
It's a weird sound [ "Animals"] inspired by a hip hop drum loop. I listen to a lot of hip hop tracks and it's not used quite often in House currently. I chopped up the loop and edited it so you wouldn't recognize the original.
I was really raised on hip-hop, and hip-hop introduced me basically to all the music I listen to now.
I think hip hop is dead. It's all pop now. If you call it hip hop, then you need to stop. Hip hop was a movement. Hip hop was a culture. Hip hop was a way of life. It's all commercial now.
You have a lot of educating to do hip-hop wise in Europe. When you tour, when you go out there, most of the people that come see you at the venue listen to a lot of different kinds of music, not only hip-hop; they're not heads. From time to time you're going to do a little concert in front of three or four hundred people that are only hip-hop heads and they're going to understand and know all about the gimmicks and the swagger but the rest of the people are just regular European people that listen to pop [or] rock & roll.
What sets 'Some Nights' apart from anything we've ever done is the hip-hop influence. Not so much the actual sound of hip-hop, but more the vibrato and the artistry that comes with it. Right now, the artists that seem to be pushing to be the greatest artists and are trying to change the world are hip-hop artists.
Hip is to know, it's a form of intelligence. To be hip is to be update and relevant. Hop is a form of movement, you can't just observe a hop, you gotta hop up and do it. Hip and hop is more than music Hip is the Knowledge, hop is the Movement. Hip and Hop is Intelligent movement
I feel like everything I do in the hip-hop world has an influence. People don't really notice what I did until somebody else does it. As far as hip-hop goes, I want to continue to make good music, and good art. I don't really follow the state of hip-hop.
I don't care what anybody says, there's nothing like the cultural influence of hip-hop. For me, hip-hop culture is involved in everything - it's in me, in who I am, in how I dress, how I talk. It's in my son and my wife.
As a little kid, I watched hip hop get created. So it's an honour for me to represent the Bronx, the motherland of hip hop.
I wake up hip-hop, Go to sleep hip-hop, Dream 'bout hip-hop, 'Cause I AM HIP-HOP.
Somewhere down the line, the evil ones stole the legacy of hip hop and flipped it to a corporate type of hip hop. They decided to tell everybody 'Well, this is what hip hop is,' instead of coming back to the pioneers and getting the true definition of what hip hop is and what it was and what we been pushing for all these years.
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