A Quote by Nate Berkus
Before you begin designing or buying anything, you need to get real and ask yourself: What do you really want to use this room for? What do you want to do in this room but can't now?
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I really want to get into designing my own business suit. I've designed a couple suits for myself that I've worn in the past, and I have a good idea of what I want and need to use.
I want a room that I can definitely pack out. I don't want to sweat that part, "Am I gonna have enough people?" So I usually pick like a hundred, a relatively small room. Also, I'm looser in a small room. I don't want to record an album in front of a thousand people, not that I could draw a thousand, but I just want a room that I can really work back to front. That's just a very comfortable place for me to be loose.
When I mentor girls, I'll go around the room and ask them what they want to be or do. I've heard so many kids say, 'I don't want to be anything,' which is really shocking, but it's because no one has sat down and asked them.
The records that I like, they have life and warmth and soul in them. Like the slap back on Scotty Moore's guitar on 'Mystery Train.' You're not gonna get that in a computer. You're gonna want a live room, you're gonna wanna bounce the tape, you're gonna want real musicians, in a room, vibin' off of each other.
If you're a young person who wants to become an actor, it's really important to walk into a casting room with a sense of yourself and some life experience. You can really delight a room and have them already choose you before you've even said a word!
There are many nations that have perfected a particular room. You know, you have the French drawing-room, the Austrian ball room, the German dining room, and I think the library is a room the English get right.
Imagine a famine. Now imagine a piece of bread. Both of these things are real but you happen to be in the same room with only one of them. Put yourself into a different room, that’s what the mind is for.
I am a hopeless romantic. A silly, ridiculous, foolish romantic. I live in a fantasy land. I need to get real. And now, for the first time, I want to get real. I want a real relationship with a real man in the real world–-with all the real problems, faults, and whatever comes with it.
If I were founding a university I would begin with a smoking room; next a dormitory; and then a decent reading room and a library. After that, if I still had more money that I couldn't use, I would hire a professor and get some text books.
I need to be performing. I need to be acting. I need to be designing a condo and ripping down walls and buying new plates and looking at fashion magazines. There always has to be some movement in the artistic department for me to not get really, really low.
No guest rooms.” I shake my head resolutely. “I want to be in a room room. A lived-in room.
Don't be afraid to ask for what you need to get the story you want. Be yourself and be informal. Forming trusting relationships with subjects is key to the success of the film, so if you're trying to be anything other than yourself, it won't work.
...slow down and self-edit and ask yourself the three things you must always ask yourself before you say anything: "Does this need to be said?" "Does this need to be said by me?" "Does this need to be said by me now?"
I tell people all the time that producers, writers, and directors really don't know what they want until it walks into the room - you have to show them what they want. Everyone is rooting for you when you walk into the room. Everyone wants you to be good because it means their day is over!
Before I go to those teams, I say, 'Hey, I'm a Muslim and I have to pray five times a day.' And they respect it so much that they give me a prayer room. So before the game, after the game, before practice, before I fly out, I can go to that room whenever I want and pray.
If you want a measure of how private a place the dressing room was when I was growing up at Manchester United, consider this: even Sir Alex Ferguson would knock before coming into the dressing room at the Cliff, the old training ground. The dressing room is for the players - and the players only.
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