A Quote by Nate Ruess

I was signed at 19 years old to a major label, and dropped by the time I was 22. — © Nate Ruess
I was signed at 19 years old to a major label, and dropped by the time I was 22.
We're so humbled and lucky to be in a position where we've been a four-piece for over 15 years. We're signed to a major label. We're on our fourth record on a major label. We've won a Grammy. We've toured the world.
It breaks my heart to see these young, really talented bands getting chewed up into the system. I remember a time if you'd signed to a major label it was such a sell out! But now... unless you've signed to a big label, you're a failure now.
When I signed that major-label contract when I was 20 years old. I did it because I wanted to play music for the rest of my life. That's every 20-year-old's dream - to do whatever the hell you want.
I was signed when I was 19 years old, in 1980. I went to Germany and France. Seeing the world at that time was just an awesome experience for a teenager.
My problem was never with the major label, it was with the guy who we put our trust in and then wouldn't take my phone calls once we'd signed to a major label, who then quit.
There was a moment, a few weeks after I signed, that it actually hit me. I was signed to a major label.
The Roots - we signed our first record deal when I was about 19 years old.
I've been a radio and television news person since I was 19 years old. I'm 57 years old now. But the advantage is that I have studied, investigated, and reported over those years on nearly every major story from wars and recessions to grass roots local issues.
If I were involved with the NBA, I wouldn't want a 19-year-old or a 20-year-old kid to bring into all the travel and all the problems that exist in the NBA. I would want a much more mature kid. I would want a kid that maybe I've been watching on another team, and now he's 21, 22 years old instead of 18 or 19, and I might trade for that kid.
Ive been a radio and television news person since I was 19 years old. Im 57 years old now. But the advantage is that I have studied, investigated, and reported over those years on nearly every major story from wars and recessions to grass roots local issues.
Doing things in my day was simple: you either signed to a big label or you signed to a very small label, and you worked with that one, and then they eventually signed you on to a big one.
Being signed to a major label was never an option because I knew having the time to find out who you are without pressure from other people is so important.
I've been on a major label for 14 years. I've always wanted as many people as possible to hear my music, and it definitely made sense for the majority of my career to be on a major label, on a distribution level, to be in people's faces and be out there, and have access to major labels' incredible machine, even though they have not understood or haven't been invested in what I was doing.
When you are signed to a major label, everyone wants to have a say in who you are and what you are doing.
My whole life has been completely about being underestimated. I remember when Blink signed to a major label, and we had a debut party for the signing. No one came to party, only the guy that signed us. And I remember sitting there, like, "S**t, no one likes this."
I'm always gonna do my own thing. I wanna be something - whether I'm 19 years old working at a pet store, or I'm 19 years old with a No. 1 record - I wanna be the biggest I can be to my crowd, no matter what my crowd is.
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