A Quote by Jade Bird

I listen to a lot of artists like Tori Amos, Cherry Glazerr, and Patti Smith, and I kind of wanted to follow in their footsteps, or at least try to be that genre-defining.
I have insanely dorky taste. Basically, if you're a woman, and you're under any kind of emotional duress, and you sing a song, I will listen to it forever. It's odd being a 37-year-old heterosexual male who owns nothing but Sarah McLachlan and Tori Amos. But I'll go against that at first and play something boring like James Taylor.
This reference to the Scots side of her ancestry is the first of two visual explorations into Tori Amos's diverse cultural past. As is the case for many of us, Tori's ancestry is a mix of races and religions, philosophies and professions, fortunes and foibles. What to some may seem like a family tree grown wild and untamed is actually a mighty oak that has weathered life's many storms and can still put out a rare and beautiful blossom like Tori.
I wasn't familiar with Patti [Smith ]much at all. When I was asked to photograph her, my wife said, "Oh my God, Patti Smith!" So I looked at some Robert Mapplethorpe books and I recognized those pictures.
I like a lot of metal music. So that's really what I listen to a lot. Or I listen to a lot of kind of off the cuff, like I love artists like Santigold, or Gold Frapp. Yeah. Pelican. Yeah.
My mum listened to stuff like Alanis Morissette and Tori Amos, but she also listened to a lot of '80s stuff like Heart. I still quite like Heart.
I became Patti's [Smith] messenger, basically, and the film is my view of how I learned about Patti.
I like Patti Smith's lyrics, and sometimes think I could be influenced by them. But she has a kind of cool that's beyond me.
Don't try to follow in my footsteps. Make your own footsteps! No one else can tell the stories that are inside of you except for you.
I belong to the Lovecraft Society, which meets at the University. They do things like follow in Lovecraft's footsteps, just like he followed in Edgar Allan Poe's footsteps. I mean the actual footfalls, you know, like they're going out looking for sasquatch, this kind of stuff.
There were a lot of people doing new and interesting things with rock. But I wanted to take it farther than that. My real influence was punk. I must have listened to the first Patti Smith album 300 times.
I just wanted to be Patti's [Smith] messenger and get her word out there.
I can play the flute. Music was my favourite A-level, and I used to love composing my and stylising my voice to sound like 90's singing sensation Tori Amos.
I get a lot of letters from people saying, 'I want to follow in your footsteps,' and I don't know how to tell people how to follow in my footsteps, because I can't give them the opportunities that I had.
Tori Amos had a major influence on how I craft words in a song.
I shot [Dream of Life] all on 16-millimeter, and I just wanted to learn about Patti [Smith].
I wasn't Britney Spears or Jessica Simpson. I wasn't Tori Amos or Norah Jones. Nobody knew what to do with me.
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