A Quote by Nick Zinner
Photography has always been important to me for that, being able to make sense of something or understand something or remember something or laugh at something.
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I've never been able to force a novel. I always had the sense something being given to me. You can't sit around and wait until inspiration strikes, but neither can you force into being something that isn't there.
It's not nuclear physics. You always remember that. But if you write about sports long enough, you're constantly coming back to the point that something buoys people; something makes you feel better for having been there. Something of value is at work there...Something is hallowed here. I think that something is excellence.
From somewhere, back in my youth, heard Prof say, 'Manuel, when faced with a problem you do not understand, do any part of it you do understand, then look at it again.' He had been teaching me something he himself did not understand very well—something in math—but had taught me something far more important, a basic principle.
The haters and the trolls have always used me as an excuse to make fun of something that is out of the ordinary, something that doesn't necessarily make sense to them. For whatever reason, I have always been a target that people love to attack.
Part of the joy I'm discovering in acting is the fact that it's uncomfortable to me, that it's challenging, and the possibilities of always being able to improve on something, of always being able to try something new, it's intriguing and exciting.
As a kid, I wasn't given the sense that celebrity, or fame, or any of that, was something to be impressed by, or to seek out. It was always impressed upon me that making something well crafted, something respected, was the most important thing to do with your life, and I've tried to do that where I can in my field.
I am always searching for something different or something fresh, something hasn't been done. But the truth is, at the end of the day, we're all sort of retelling something. We're doing a version of something that's already been done.
He misses the feeling of creating something out of something. That’s right — something out of something. Because something out of nothing is when you make something up out of thin air, in which case it has no value. Anybody can do that. But something out of something means it was really there the whole time, inside you, and you discover it as part of something new, that’s never happened before.
I've always been interested in visualizing something, whether it's a memory or an idea you want to be true. I am a big believer in that. I'm constantly thinking of that. If I can't picture something, then it doesn't make sense to me.
I would then say that there are two kinds of feeling. The first is to feel in the sense of concentrating your emotions on something immediately available for your understanding: you make your understanding out of the emotions you have about it. The second is to feel in the sense of being affected without trying to understand: something is felt, you do not know what, and it is more important to feel it than to try to understand it, since once you try to understand it you no longer feel it.
What is important is not that you have a defeat but how you react to it. There is always the possibility to transform a defeat into something else, something new, something strong. All the good stories, all the people we remember are the ones who do this, who make victories out of their failures. Because the victories teach nothing. The victories are not useful. They are often dangerous.
I've always been passionate about the concept of helping the underdog. It just doesn't make sense to me as to what kind of person would take a huge platform and not use it to do something, to change something, to help people.
One, something emotional has to be at stake. There has to be something important for me that I'm writing about. And then two, I have to have a formal idea. Something has to be being worked out in poetry.
You see something very important is happening. Personality is being eaten out, and with that the idealism that always motivated an anarchist movement - the belief in something, the ideal that there is something worth fighting for.
There is something magical about being able to feel somebody. And that is something that has always moved me with music.
I think what's important for myself and anyone else who wants to create a film, or art, is [to] make sure that they have something to say, that they want to share something important, express something important.
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