A Quote by Nick Swardson
Improv plays such a huge role in finding great lines - you'll be surprised at what comes out of your mind inadvertently. A lot of times it's better than a script you've worked out ahead of time.
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Practice your improv more than learn your lines. 'Cause there's no way you'll be able to learn all those lines in a short time. You have to realize what you know and what you don't know - and what you don't know, just come up with three alternate lines or improv that you can put in that spot.
A lot of what I've had produced are plays, and I just don't want to do that. It's different than a movie, where you only have to act the scenes the one time, and you have other collaborators helping you make it better, so you don't feel as obsessed with your own mind. Plays you have to do every single night, and the thought of that is agony to me. There are days when you hate your own work, and you don't want to be confronted with that, have it coming out of your mouth or listening to somebody else say it to you. There are days you want to leave the theater and get a drink.
The script looks huge when you first get it, but you just have to go home and drill the lines out. The more you read it, the shorter it gets. I usually read it at least four times.
Players see shots not falling - that plays a role. That plays a major role in your confidence out there, too.
I'm a great believer in getting checked out because if you know you're OK, you actually feel better; your mind plays a big part of it.
I often feel like the woman in your life is your driving force. She's your muse. She plays a big role in determining how confident you feel when you walk out the door. She can add 1,000 kilowatts of energy - or drain that out of you. She said, "No, you're not that funny." I thought, She knows better than anyone.
Do it the hard way! Think ahead of your job. Then nothing in the world can keep the job ahead from reaching out for you. Do it better than it need be done. Next time doing it will be child's play. Let no one or anything stand between you and the difficult task, let nothing deny you this rich chance to gain strength by adversity, confidence by mastery, success by deserving it. Do it better each time. Do it better than anyone else can do it. I know this sounds old-fashioned. It is, but it has built the world.
It could be a great script but the director is not the right person for me to work for at this time. So there are a lot of elements that come into play and a lot of variables, but more than anything it's got to be a great script and a great character.
In television you don't have a lot of time to spend with the role or the script. Typically you get a script a week prior to shooting. Sometimes it's even less time, not enough time to dream about the role.
Beginning a poem, the poet as a rule doesn't know the way it's going to come out, and at times, he is very surprised by the way it turns out, since often it turns out better than he expected; often his thought carries further than he reckoned.
I'm quite severely dyslexic so I struggle with acting in certain ways. I always have to put in triple the amount of effort, which would always frustrate me a lot. I suppose that some people can just look at a script once and know it. That's not me. I really have to spend a bit of time with the lines. But it's my job and I've got better and better at it. If you're learning a lot, things start going quicker. Doing the lines with repetition and you just get it in your head somehow.
There's always the ongoing actor frustration of finding the great role to do next. I don't go to work a lot. I wait as long as I can until the money runs out or a great part comes along.
Any good movie or script usually, if they're doing their job, gives the highest platform possible for an actor to leap off of, and that script was very high up there. It was a very smart, tight script. There was a lot of improv, as well, once we got to the set, but a lot of the original script was also in there.
A lot of individuals are so worried about being politically correct. I'd rather go ahead and say what's on my mind than to sit there and come up with some PC 'Oh, the guy is a great fighter and I have a lot of respect for him.' If I don't mean it, why is it even coming out of my mouth?
We worked out a lot of bugs and figured out who was working and who wasn't and how this beast functions. It was a lot bigger than we actually thought, and now we have a well-run ship where it feels I can actually have time to imagine and not just stress out about everything.
Of all the stars whom I worked with, I think Steve knew better what worked for him on the screen than any other. He had such a sense of what he could register, and that helped a lot in terms of shaping the character and the script.
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