A Quote by Nick Hornby

But I suspect that all writers come up with premises of some kind, fragments of narrative or scenarios, in the course of a working week. — © Nick Hornby
But I suspect that all writers come up with premises of some kind, fragments of narrative or scenarios, in the course of a working week.
Where do you come up with these zingers, Clint? Do you own some kind of joke factory in Indonesia where you've got eight-year-olds working ninety hours a week to deliver you that kind of top-quality witticism? There are boy bands with more original material.
Imagine a crime series in which, every week, there is a white suspect and a black suspect. And every week, lo and behold, the black one turns out to have done it. Unpardonable, of course. And my point is that you could not defend it by saying: "But it's only fiction, only entertainment."
Alec Baldwin made us all feel like [we could] pal around with him and come up with the best scenarios or scenarios if you're a f - king asshole. So working with him was Alec Baldwin does it the best.
There were plenty of times some writers would make some kind of stupid joke to each other and then it was on TV that night or that week.
Before I got hurt, I was on the road five days a week and then I'd come home for a day and a half. And some of those times, I'd be filming Total Divas, so at some point I was working seven days a week, which I was cool. I loved it.
I'm a paranoid person. And I think - I'm the kind of person that can come up with lots of negative scenarios. But I remembered thinking that seemed like - that was a stretch even for me.
I'm always working my own thing. A few times a week - I try to not go too crazy - I'm working with some other artist. But I'm constantly working my own stuff, and my own stuff seems to come in little bursts.
Let's stop reflexively comparing Chinese writers to Chinese writers, Indian writers to Indian writers, black writers to black writers. Let's focus on the writing itself: the characters, the language, the narrative style.
I think, of the kind of erratic behavior that many of us feared once Trump came into office. And I think you're seeing evidence of that, even though, you know, some of the worst-case scenarios that we imagined have not yet, mercifully, come to pass. I mean, for example, he has not destroyed NATO. He has not launched a trade war with China. He has not lifted sanctions on Russia. In all those cases, in part, because his hands had been tied. And of course, it's only a year in, so he's still got time to go.
I have come to understand and appreciate writers much more recently since I started working on a book last fall. Before that, I thought golf writers got up every morning, played a round of golf, had lunch, showed up for our last three holes and then went to dinner.
Don't let your characters tell you what to do. They can be pushy. Some writers say that they create characters and then just sort of follow them around through the narrative. I think that these writers are out of their minds.
My education - my Ph.D. in storytelling - comes from having worked on it, being a lover of film and watching them, from working with some great writers and some very good TV directors and then working with some who weren't.
I write in reverse: Rather than come up with a narrative and write jokes for that narrative, I write jokes independently of the narrative, then I try to fit them in.
We are not just scientists, but human beings as well. Like most people we’d like to see the world a better place, which in this context translates into our working to reduce the risk of potentially disastrous climatic change. To do that we need to get some broad-based support, to capture the public’s imagination. That, of course, entails getting loads of media coverage. So we have to offer up scary scenarios, make simplified, dramatic statements, and make little mention of any doubts we might have.
I think we've come to a kind of splinter period in poetry. These tiny little bright fragments of observation - and not produced under sufficient pressure - some of it's very skillful, but I don't think there's anywhere a discernible major poet in the process of emerging; or if he is, I ain't seen him.
Some writers - most, I suspect - write in isolation. I think I'd always found that quite difficult.
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