A Quote by Nicola Griffith
Setting is my primary joy as a writer, building a world and watching people respond to it.
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Building a business is like building a home. If the foundation rests on an unstable setting or is constructed with subpar materials, it doesn't matter if the rest of the home is perfect. It will never be a joy to its owner
The public/private partnerships are taking various forms in India. It is individuals who are socially oriented are setting up schools. They're setting up colleges. They're setting up universities. They're setting up primary-education schools in the villages, particularly the villages their original families came from.
We have to respond to budget concerns, we have to respond to functional and programmatic concerns of the building, and we have to respond to public engagement. That's what you sign up for when you decide to become an architect.
If you create something that is asking for people to respond as they're going to respond, you have to allow them to respond as they're going to respond. Some of the people are going to be uninterested and some people are going to be mad for some reason, which is their business. That's just the way the world is.
When I became secretary of state, I felt one of my primary jobs was building relationships around the world.
We live in a world, a medieval type of world, where someone can accuse you - through gossip and hearsay, and all of a sudden you're supposed to respond to specific charges from people you don't know, are not aware of who these people are, and you're supposed to respond to their specific allegations?
There is no need to respond to whatever your most powerful and unaccountable political opponent says you have to respond to, particularly on their own corrupt and partisan terms. Treat them as your primary political opposition, because they are.
You either believe that people respond to authority, or that they respond to kindness and inclusion. I'm obviously in the latter camp. I think that people respond better to reward than punishment.
When a writer is already stretching the bounds of reality by writing within a science fiction or fantasy setting, that writer must realize that excessive coincidence makes the fictional reality the writer is creating less 'real.'
If success in selling is my primary interest, I am not primarily a writer, but a salesperson. If I teach success in selling as the writer's primary objective, I am not teaching writing; I'm teaching, or pretending to teach, the production and marketing of a commodity.
I've always had great satisfaction out of writing the plays. I've not always had great satisfaction out of seeing them produced-although often I've had satisfaction there. When things go well in production, on opening there's no nicer feeling in the world-what could be nicer than watching an audience respond? You can't that from a book. It's a fine feeling to walk into the theater and see living people respond to something you've done.
There has to be some mystery in life, because the joy of being a writer and the joy of being a musician is the joy of discovery. I don't want someone discovering for me what I should be discovering on my own. If a person is discovering for me, then they're living for me. It's my responsibility, indeed it's my privilege, to go out and discover the world for myself.
'Game of Thrones' was the first fantasy thing I've done, and like a lot of people who enjoy the show watching it, I didn't expect to respond to that world, but when I started doing it, I really started to love it, started to realize that some of the things I'm naturally drawn to.
I don't have a primary doctor, a primary hairstylist, a primary anything. I don't even have a primary address! Everything is just whenever I can find one.
I'm a different writer now. You don't sit in a room with Sopranos creator David Chase and writer Terence Winter for four years and not learn something. And just watching the way the show was done, and watching the way that David encouraged the imagination.
I've been going to San Diego's Comic-Con every year since 2007 or 2008. The first time I went it was an overwhelming experience because I wasn't expecting all the people; I wasn't even expecting all the joy. I came from a background where, when I was about eighteen or nineteen, I found comic-book fandom. But it was the fandom of online communities. And within those communities there was a tremendous amount of excitement and joy, but I'd never been around people in such a large group setting where this joy was pouring out of them. It was a revelation.
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