A Quote by Nicolas Cage
I try to keep my characters raising more questions than giving answers. I don't want to leave too much on the table. I want you to have your connection and your secret understanding of the character.
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Gettting to know your characters is so much more important than plotting. Working out every detail of your story in advance, especially when you don't yet know your main characters, always seems a little too much like playing God. You're working out your characters' lives, their destiny, before they've had a chance to discover who they are and what kind of people they want to be.
Questions that require answers are what keep readers going - and the place to start raising those questions is with your very first sentence.
What interests Sam Mendes are characters and relationships, and he was a genius at giving you the freedom to create the type of character you want, and also to explore and have fun with your fellow actors. For him, characters and relationships are really the heartbeat of the film, and then the action is the backdrop. By developing the characters, he makes you care that much more about the action and going on a journey with the characters.
What else can I tell you? It seems to me that everything has its proper emphasis; and finally I want to add just one more bit of advice: to keep growing, silently and earnestly, through your whole development; you couldn't disturb it any more violently than by looking outside and waiting for outside answers to questions that only your innermost feeling, in your quietest hour, can perhaps answer.
What's been important in my understanding of myself and others is the fact that each one of us is so much more than any one thing. A sick child is much more than his or her sickness. A person with a disability is much, much more than a handicap. A pediatrician is more than a medical doctor. You're MUCH more than your job description or your age or your income or your output.
First, consider the pen you write with. It should be a fast-writing pen because your thoughts are always much faster than your hand. You don't want to slow up your hand even more with a slow pen. A ballpoint, a pencil, a felt tip, for sure, are slow. Go to a stationery store and see what feels good to you. Try out different kinds. Don't get too fancy and expensive. I mostly use a cheap Sheaffer fountain pen, about $1.95.... You want to be able to feel the connection and texture of the pen on paper.
Contextualization is not giving people what they want. It is giving God's answers (which they probably do not want) to the questions they are asking and in forms they can comprehend.
Let someone else take a crack at [your story]. Sometimes, even after time has passed, we're just too close to the thing. You don't want to kill your darlings or, maybe it's the opposite: you just want to kill all of it with cleansing fire. Let someone else confirm or veto your feelings. They'll also bring new questions and complexities to the table, too.
I think I'm drawn to more villain-type characters, because it's so cool to get to say all the things you want to say. In Hollywood, you get to this position where you have to bite your tongue so much. You take all your experiences of not being able to say what you really want to say, and channel that through your character.
I firmly believe kids don't want your understanding. They want your trust, your compassion, your blinding love and your car keys, but you try to understand them and you're in big trouble.
We no longer just take religious identity from our parents, so what's going on? Why are people going to this series, why are people reading so many books about religion? It's because they want answers. The answers are no longer just passed down from generation to generation. It's harder for people. In effect, you have to roll up your sleeve and ask the questions. But if you do it, if you forge your own identity, it can be much more personal and much more meaningful to you.
You don't want your relationship to be in the press, but at the same time, and this is only a theory, the more you try and keep it secret, the more the media tries to crack it open.
If you want to find the answers to the Big Questions about your soul, you'd best begin with the Little Answers about your body.
Don't be thinking that this lama over there is giving better teachings or that this lama over here is giving more secret initiations. Leave that. Just keep the practice very simple, try to stay in the moment and try to stay mindful.
Make sure your characters are worth spending ten hours with. That’s how long it takes to read a book. Reading a book is like being trapped in a room for ten hours with those characters. Think of your main characters as dinner guests. Would your friends want to spend ten hours with the characters you’ve created? Your characters can be loveable, or they can be evil, but they’d better be compelling. If not, your reader will be bored and leave.
You cannot hold God hostage (to your questions). He doesn’t owe you an answer. If you want the peace that passes understanding, you’re going to have to give up your right to understanding. It’s called trust.
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