A Quote by Nicholas Royle
What the short story needs above all is for one of the big publishers to get an equivalent series up and running and to support it and promote it.
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With the big publishers, they publish 50 books and promote five.
My advice to aspiring writers of fantasy trilogies or series is that each book needs two main plots. There's the 'big story', the over-arching grand plot of the entire series, and there is the complete-in-itself, one-book plot.
Quinn sat back down. He leaned forward, elbows on knees. "Man, don't you remember taking tests in school? Multiple choice: A, B, C, D, or E, all of the above. "Yeah?" "Dude, sometimes the answer is 'all of the above.' This places needs you. And it needs Astrid. And it needs Sam. It's all of the above, Albert.
I think we match up with anybody because our pitching. In a short series you run your big three out there or four out there. That generally is what wins a series - pitching and defense. If we can catch the ball and not give away any runs like we do sometimes.
I guess the freedom - poetic freedom - because the poetic part of short story form is an attempt to say something that's unsayable about one's incarcerated existence, and it's fun to come up with words to represent that condition, and it's fun to pull the tail of absurdity and rile it up, where you giggle at what you do or you get enthralled and in the short story.
You know, it's sort of common wisdom among New York publishers that short story collections don't make money.
When you are working on a TV show or series, you just get into the routine. You get used to getting up early. It takes a few days, but once you are up and running, you get used to going home late, and it becomes this very repetitive cycle.
Authors will make far more on those ebooks through direct sales than publishers are offering. There is no incentive for authors to sell those rights to traditional publishers which means, in the fairly short term, publishers run out of material to sell.
Most publishers seem very reluctant to publish short story collections at all; they bring them out in paperback, often disguised as novels.
Democracy needs support and the best support for democracy comes from other democracies. Democratic nations should come together in an association designed to help each other and promote what is a universal value - democracy.
The truth is that we won’t receive the support we need until we ask for it. Just because we can do it all doesn’t mean we should. And when we don’t speak up about our needs, we’re asking our loved ones to read our minds—and then we resent them when they fail our test. By not being open and honest about the support we need, we’re selling ourselves short and setting our relationships up for failure.
Today I said to the calculus students, "I know, you're looking at this series and you don't see what I'm warning you about. You look and it and you think, 'I trust this series. I would take candy from this series. I would get in a car with this series.' But I'm going to warn you, this series is out to get you. Always remember: The harmonic series diverges. Never forget it."
In March of 2001, I revisited the short story, and found that thought it did not work well as a short story, it might work much better as a longer one. The novel [The Kite Runner] came about as an expansion of that original, unpublished short story.
I was just a big guy running down with a big, deep pocket and little short stick putting it against my chest.
'Monkeys' is made up of nine short stories that tell an overall story. 'Folly' is a series of vignettes all put together to tell a larger story. In 'Lust and Other Stories,' there are nine stories - three, three, three; the beginnings of love, the middles, and the afters.
Once, I thought I had a novel, and it turned out it was only a short story. I wrote about 800 pages, but it ended up being a short story. And if it ever happens to me again, I Will Go Insane.
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