A Quote by Nickolas Ashford
But I also think it's up to the fan base to call in the radio stations and demand that the more mature artists be played as well.
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Because U.K. artists aren't compensated when their music is played on U.S. radio stations, U.S. artists aren't compensated when their records are played on U.K. stations based on the fact that there's no reciprocity. If that income came in, our artists would be paying income taxes on it. So if we can get a lot of policy on the radar, that may have some positive influence.
In Europe, radio stations are owned by a variety of different entities, so there is less uniformity on radio programming and more opportunity for artists to get radio play and break overseas.
Apple has the radio stations, so I go R&B in the morning, and then I'll go with some hip-hop before the game. But after the game, it's more meditation music. It's not artists; it's more whatever is being played.
When I first started, it was the real basic stuff that was being played on the radio, so I was into Zeppelin, and Sabbath, and AC/DC, and all stuff like that. I grew up in New York, on Long Island, so the local radio stations played all that kind of thing.
Record labels collude with some of the radio stations, and the radio stations have their play lists, dependent upon what they call the, quote, 'hits.' What's commercially viable gets recycled, endlessly repeated, and as a result of that, the progressive music can't break in.
When radio stations started playing music the record companies started suing radio stations. They thought now that people could listen to music for free, who would want to buy a record in a record shop? But I think we all agree that radio stations are good stuff.
During the time that my recording career seemed to be in a slump a music called disco came on the scene and literally took over radio stations as well as having radio stations created to play it which sort of negated my music as well as that of some of my peers.
Radio used to be dominated by Tom Petty and artists like that. If Tom Petty came out today, he'd be played on country radio - all that stuff would. I think the genre has opened itself up to more styles of country, and I think that's a good thing.
I hear some new artists that sound country but the record labels and country radio lean more toward a more rock feel for what gets signed to a label and played on the radio.
'Smoke On The Water' was ignored by everybody to begin with. We only did it in the shows because it was a filler track from 'Machine Head.' But then, one radio station picked up on it, and Warner Bros. edited it down to about three and a half minutes. It then started getting played by lots of different radio stations.
I've gone from having a huge fan base to losing a huge fan base to having a kind of fluctuating fan base. I've always had a core of fans who've stuck by me but, depending on the kind of music I do, I end up appealing to certain groups of people and alienating others.
If you look at the charts, there's not a lot of male artists and for whatever reason, female artists sell a lot more records and get played a lot more on the radio.
Tango was very popular in Panama at the time when I was growing up. In the Fifties in Panama, the radio stations played all types of music.
I'm the ayatollah of the Jane Austen fan base! I want to lead the fan base, not be attacked and devoured by the fan base.
From 1969 to 1973, I was never played on radio stations.
Where I lived, on Long Island, you had the radio stations that always played Led Zeppelin and Pink Floyd, Black Sabbath and AC/DC and all that. I grew up on all that stuff.
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