A Quote by Nicole Kidman
Once I start putting all my little insecurities in my mind, I'm not actually acting. Then it's about me - and it should never be about me. It should be about the character.
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I never really thought about acting when I was little; I was just getting a haircut at a salon when I was 10, and a woman approached my mom about putting me forward for an audition!
I think we should be worried about the fact that we have become, as a society, very focused on the way people look, the way they dress. I do think we should worry about that because we should be worried about content. We should be worried about ideas. We should not be putting form over function.
You should never start thinking about 'what might have been,' and you should also never start thinking about another boy when you're heartbroken over someone else.
In Britain, you don't usually learn about evolution until you are about 15. I should have thought that you should start at about 8. But I could be wrong about that.
In Britain you don't usually learn about evolution until you are about 15. I should have thought that you should start at about 8. But I could be wrong about that.
When it comes to acting, it's about creating a character and bringing forth a director's vision. It's a weird feeling, because with acting, it's just not about me. I love being in that position, because with the music, it's always about me.
The Funkasaurus character was great and it taught me about being humble, about the character, about not being concerned with what people think you should be.
American Graffiti was the first movie where the director let me have any input. It was the first time anyone ever listened to me. George thought my character should have a crew cut, but I wasn't happy with that idea. I'd always had pretty long hair back then - in college, particularly - so I told George my character should wear a cowboy hat. George thought about it and he remembered a bunch of guys from Modesto, California, who cruised around, like my character, and wore cowboy hats, so it turned out that it actually fit the movie.
I'll write a character with a certain actor in mind, but then once I start casting, I have to forget about who I pictured.
I never wanted to go to the Old Vic and not have it survive long after I was gone. It's not about me; it's about that theater. And the more that it's able to grow and do everything it should do without me, then I've done my job.
The first thing that happens is the cleansing of the former character. I don't think a lot of actors talk about it, but there is usually a process where you essentially purge yourself of the character played prior to the movie. Then you want to think about what the character represents, and you write down all of the elements about this character and then take the time to find some synchronicity and start breathing the character.
To be honest, I never went to school for acting, and I never learned to break down a script. I took acting classes my whole life, but they never taught me anything about acting. They just taught me about myself.
Being able to influence the outcome, being able to do something about it, to be able to stop the bleeding. You're not being useful if you're just standing there going "Oh, that's awful!" You're only useful if you actually do something about it and I think that goes for everything. If you actually do something about what's in front of you, then you are actually contributing and you haven't got time to be self-centred or sorry for yourself. You should be doing something about the person you really should feel sorry for.
For most couples who come to me - especially in the aftermath of the revelation of an affair, when they are in a state of crisis and fear the loss of a predictable future - they start to have conversations for the first time about love, sex, monogamy, and marriage. Most couples don't negotiate or don't even converse about any of these things until the crisis of the affair has actually forced them to. Why does it take infidelity to get us talking about the stuff that should be there from the start?
If you start acting and you start thinking about and worrying about what other people are going to say about it, you'll never really fully commit to who it is and what it is that you're playing.
Movie acting is about covering the machinery. Stage acting is about exposing the machinery. In cinema, you should think the actor is playing himself, if he's that good. It looks very easy. It should. But it's not, I assure you.
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