A Quote by Nicolas Ghesquiere

Your priority has to be the creativity - and build a brand. That's what everybody did - Balenciaga, Dior, Saint Laurent. That's the smart thing to do. — © Nicolas Ghesquiere
Your priority has to be the creativity - and build a brand. That's what everybody did - Balenciaga, Dior, Saint Laurent. That's the smart thing to do.
I worked with the best - Givenchy, Dior, Yves Saint Laurent - and it gave me an ability to be confident. It turned me into a CEO and a creative director and a brand.
I like Chanel and Yves Saint Laurent. I have some great Balenciaga jackets and I'm shoe crazy.
Monsieur Saint Laurent was pathologically shy, and he made the Saint Laurent woman in his own image. Like her, I am shy. And to protect myself, I adopted something of an androgynous look, just as his women did.
Monsier Saint Laurent was pathologically shy, and he made the Saint Laurent woman in his own image. Like her, I am shy. And to protect myself, I adopted something of an androgynous look, just as his women did.
I am not really sure that Diana Vreeland did Yves Saint Laurent a favor, as opposed to the world, by putting that exhibition at the Met in 1983. Because I'm sure that Saint Laurent started looking back at his own work. You see that with artists, don't you? Once they get their first retrospective, it's really hard for them to push ahead.
Just build your brand from day one, man. Your brand is your name, basically. A lot of people don't know that they need to build their brand, your brand is what keeps you moving.
I didn't see it as someone who worked as hard as I did. But now that Saint Laurent is part of history, it makes me a part of history, so, yes, finally it's not such a bad thing to have been a muse.
I am truly honoured to become ambassadress for Yves Saint Laurent. The brand's modern vision of beauty is very inspiring, and I am particularly proud to represent such an audacious archetype of woman.
In fashion, of course, the way that women are dressed now - and also a vision of the modern woman, the woman of today. She's very feminine, but at the same time, extremely free. A Saint Laurent woman is actually very Parisian. She's not really a man's equal, she's his adversary. I worked on the catwalk with two models who worked with Yves Saint Laurent for more than 10 years. They're not just gorgeous models, they're more than that - they're very smart and very beautiful. They're more than models, they're really unique; it's personality. It's more than just fashion.
Your brand is your name, basically. A lot of people don't know that they need to build their brand; your brand is what keeps you moving.
I see my position in that whole Dior construction very differently from my own brand. My own brand will stand or fall because of me. Dior won't fall if I fall. It will also still stand if I'm not there. I'm coming in there and it's like a - I don't know the English word - like a passage.
The worlds of art and fashion have always been very intertwined at Dior. Francois-Xavier Lalanne and his wife, Claude, for instance, did windows for Monsieur Dior. Dior himself was a gallerist before becoming the revolutionary fashion designer we all know.
Great creators like Yves Saint Laurent or Jimmi Hendrix; they are people who are so smart and so sensitive. They have such a sharp vision of life that everyday life is complicated for them. They are moved and shocked with so many things that they have to make it positive with creation.
I knew him, but never felt that I got really close to Saint Laurent. But who really did? Betty Catroux, maybe.
I am a makeup junkie... Yves St. Laurent, Christian Dior, and anything else that looks good.
On average, it takes as much as $100 million in paid media for a brand to be a household name in America. Marketing partnerships are the best form of off-balance sheet financing one can ever find. Smart startups use this technique to scale their companies and build their brand equity.
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