A Quote by Neal Adams
There's a bad thing that we have in America, and that is a slow, sticky way that we get out of prejudice. We get out of it very, very slowly. It's like walking through tar. But we're getting out; things are changing.
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Men don't get knocked out, or I mean they can fight back against big things. What kills them is erosion; they get nudged into failure. They get slowly scared.[...]It's slow. It rots out your guts.
People talk about grief as if it's kind of an unremittingly awful thing, and it is. It is painful, but it's a very, very interesting sort of thing to go through, and it really helps you out. At the end of the day, it gets you through because you have to reform your relationship, and you have to figure out a way of getting to the future.
We're actually taking people that are criminals, very, very, hardened criminals in some cases ... with a tremendous track record of abuse and problems, and we're getting them out and that's what I said I would do. ... And I said at the beginning, we are going to get the bad ones, the really bad ones, we're getting them out and that's exactly what we're doing.
Now we have criminals that are in America. We have really bad people that are here. Those people have to be worried 'cause they're getting out. We're gonna get them out. We're gonna get 'em out fast.
I am slow to learn and slow to forget that which I have learned. My mind is like a piece of steel, very hard to scratch any thing on it and almost impossible after you get it there to rub it out.
I get invited to do panels with other Brooklyn writers to discuss what it's like to be a writer in Brooklyn. I expect it's like writing in Manhattan, but there aren't as many tourists walking very slowly in front of you when you step out for coffee.
I'm a very lazy person, so I don't really do things or go out very much, but when I do get out of the house, I do get recognized a lot.
One of the things I do when I'm very stressed out and I can't get out and I need to do something, I just close my eyes and try to remember what it was like to be in space and to float around. And that sort of brings back all of those good sensations and good memories, and it helps me to get through the day.
The Jemaine [Clement] and Taika works is a very long and slow machine - we put an idea in one end, and it takes about six years to come out the other end. And sometimes it doesn't even come out. And sometimes it comes out as a different idea. So we've out the idea of We're Wolves into the machine, and it's now slowly going through the sausage maker.
I don't think immediate tragedy is a very good source of art. It can be, but too often it's raw and painful and un-dealt-with. Sometimes art can be a really good escape from the intolerable, and a good place to go when things are bad, but that doesn't mean you have to write directly about the bad thing; sometimes you need to let time pass, and allow the thing that hurts to get covered with layers, and then you take it out, like a pearl, and you make art out of it.
I'd like to have had a bigger piece of Thanos than I do, but when the first 'Avengers' movie came out, Marvel and I - we renegotiated some things, so I get a taste out of this thing. I'm not becoming the next Bill Gates, but I'm getting a little something out of it.
Of course, even if the directors like my ideas or the designs I do, they may end up changing the story so much, that those characters have to change, or get cut out altogether, and that's just the way it is. Sometimes the directors are designers themselves, or they want to work with a character designer who will do things in their own distinct way - sometimes the most important thing I do is figure out what they don't want to do, by experimenting. Either way, whether they use my ideas or not, I get paid, so it's all good.
We're getting bad people out of America, people that shouldn't be, whether it's drugs or murder or other things. We're getting bad ones out. Those are the ones that go first. And I said it from day one. Basically, all I've done is keep my promise.
One of my first acts will be to get all of the drug lords, all of the bad ones - we have some bad, bad people in America that have to go out. We're going to get them out; we're going to secure the border.
The city is going to survive, we are going to get through it, It's going to be very, very difficult time. I don't think we yet know the pain that we're going to feel when we find out who we lost, but the thing we have to focus on now is getting this city through this, and surviving and being stronger for it.
I get invited to do panels with other Brooklyn writers to discuss what it's like to be a writer in Brooklyn. I expect it's like writing in Manhattan, but there aren't as many tourists walking very slowly in front of you when you step out for coffee. It's like writing in Paris, but there are fewer people speaking French.
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