A Quote by Neal Adams
I have always felt that effect covers are very good covers. They bring you into the story if you pay attention to them.
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In those days I was new to covers; merely felt pleased that a story of mine had been honored. I later met Rogers who did some of my early covers and I was impressed with him.
Adrenaline is wonderful. It covers pain. It covers dementia. It covers everything.
Like many musicians, it's my roots in music, playing cover songs. I've done probably a lot more covers than the average person who does what I do, but I'm very proud of it, and I do feel like I really bring a lot artistically to these covers.
I've always loved doing covers. Some artists don't like covers. Some listeners don't like covers. But I love them. It gives you a new perspective production-wise. It's easier for me, if I'm starting a new record, I like to produce a few songs that aren't mine just so it frees me up not to worry about it so much.
The thing about covers that's relatively important to remember is that it doesn't matter how good an artist you are: if you don't have good ideas, the covers don't stand out.
We always want to do covers, but we found it kind of boring to do covers of bands in our genre, and we were always asked to do those.
Covers, so many covers, so many different, delectable pictures, and although, metaphorically speaking, it is the thing I hate most, when it comes to literature I always judge books by their covers. First the cover will catch my eye, then I read the back of the book, and then finally the first page.
I don't pay much attention to magazine covers. One day, there'll be slack times in my career. It's unavoidable, because success is temporary. Which is why you have to stay focused on this very taxing job.
One of the reasons that DC, Marvel, and other comic book companies have always asked me to do covers and variant covers is because they know that when they tell me 'icon,' I jump over their words, and I give them an iconic cover - but while I'm doing it, there is going to be an idea there.
I do covers for CDs and LPs of music that I like, reissues of old-time music, and then I'm inspired to make some kind of drawing based on this love of the music. I don't do album covers or CD covers for groups or musicians I don't like or have no interest in.
I don't do album covers or CD covers for groups or musicians I don't like or have no interest in.
If you've looked at all the glamour magazines lately, all the covers are actresses. If they are on those covers, they are going to try to emulate models. That's just the way it is.
When I was a street performer, before I had any songs of my own that anybody would stop and put in money for, I would always be doing covers. Even with covers, people wouldn't stop in the beginning.
It's been quite a while since I was really afraid that there was a boogeyman in my closet, although I am still very careful to keep my feet under the covers when I go to sleep, because the covers are magic, and if your feet are covered, it's like boogeyman Kryptonite.
Covers are always so fun to do, but there's nothing like telling your own story.
One of the most amazing things about 'Crazy Ex-Girlfriend' is that every song is an original. There are no covers. I think 'Glee' had to deal with forcing covers into their plotlines. That can be difficult to pull off.
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