A Quote by Neil Drumming

Writing in journalism teaches you to be very comfortable taking criticism, being edited, and rewriting. — © Neil Drumming
Writing in journalism teaches you to be very comfortable taking criticism, being edited, and rewriting.
I'm always very careful to make the distinction between music criticism and music journalism. A lot of people don't. But criticism doesn't require reporting. You can write criticism at home in your underwear. On the other hand, journalism takes legwork - you have to get out there and see things and talk to people.
Journalism is very much public writing, writing with an audience in mind, writing for publication, and frequently writing quickly. And I know that when I worked daily journalism it really affected my patience with literature, which I think requires reflection, and a different kind of engagement.
I studied philosophy, religious studies, and English. My training was writing four full-length novels and hiring an editor to tear them apart. I had enough money to do that, and then rewriting and rewriting and rewriting.
I wrote for a weekly magazine and then edited a literary magazine, but I did not really feel comfortable with the profession of journalism itself
I wrote for a weekly magazine and then edited a literary magazine, but I did not really feel comfortable with the profession of journalism itself.
I get ill when I'm writing because I'm so focused on it, and it can take a year or two. Often, I knock out the first draft very quickly. I can do it in five to six weeks. Then, it takes a year of rewriting it and rewriting it.
I really recommend that anyone who wants to write have a very physical hobby that takes you away from books and criticism, because it teaches you, it informs you, and it changes your writing.
My records have a lot of collaborators on them, and when you're writing a book, it's a very insular process that's very confusing and dark. It's a lot of writing and rewriting in a way that I don't do so much when I'm writing songs.
Good writing is writing and rewriting and rewriting and rewriting. Sometimes, it happens to work right away, and that's amazing. But most of the time, it happens to work, and then you rewrite and rewrite and rewrite, and maybe it even comes back to the thing it was in the first place, but then you know for sure that it is good, and it's what you wanted to do.
Writing is rewriting; rewriting is writing - from the first crossed-out word in the first sentence to the last word inserted above a caret, that most helpful handwritten stroke.
I work very hard on the writing, writing and rewriting and trying to weed out the lumber.
I went to journalism school, so sometimes writing the script of 'Being Mary Jane' is me putting my journalism hat on.
There is a growing literature about the multitude of journalism's problems, but most of it is concerned with the editorial side of the business, possibly because most people competent to write about journalism are not comfortable writing about finance.
Dreaming and hoping won't produce a piece of work; only writing, rewriting and rewriting (if necessary)- a devoted translation of thoughts and dreams into words on paper will result in a story.
From about ninth grade on, I knew I was a writer at heart. I had fantasies of being a great novelist, but I thought that seemed like an iffy way to try to make a living. So I tried journalism while in college, and really liked it. But even in journalism, I've always pursued ways to be somewhat literary, whether writing a column or writing books.
My books are based on the "what if" principle. "What if you became invisible?" or "What if you did change into your mother for one day?" I then take it from there. Each book takes several months in the long process of writing, rewriting, writing, rewriting, and each has its own set of problems. The one thing I dislike about the writing process is the sometimes-loneliness of it all. Readers only get to see the glamour part of a bound book, not some of the agonizing moments one has while constructing it.
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