A Quote by Neil Gaiman

There are little pockets of old time in London, where things and places stay the same, like bubble in amber. — © Neil Gaiman
There are little pockets of old time in London, where things and places stay the same, like bubble in amber.
There are little pockets of old time in London, where things and places stay the same, like bubbles in amber,” she explained. “There’s a lot of time in London, and it has to go somewhere—it doesn’t all get used up at once.” “I may still be hung over,” sighed Richard. “That almost made sense.
If you want to be a new man you have to stay in new places, and do new things, with people who never knew you before. If you go back to the same old ways, what else can you be but the same old person?
Hospitals are places that you have to stay in for a long time, even if you are a visitor. Time doesn't seem to pass in the same way in hospitals as it does in other places. Time seems to almost not exist in the same way as it does in other places.
The thought of filming in London was a big draw because I could stay in my house. I read it, and I was really taken with it because it felt at once very unapologetic for what it was, which is a romantic comedy. But at the same time, a little spiky and a little truthful.
I can't help but trip out about how similar my life is to 'Room.' It's me wanting to stay in my own little bubble and remain anonymous and invisible and at the same time needing to step up to this hand that I've been given.
I have used Twitter for so many things, from places to stay, places to go, things to do, things I need, medical advice, you name it. Especially when I'm on tour, it really feels like I'm being taken care of by half a million people. It is like having a mom.
Many of my favourite hotels are in London. I like the Covent Garden Hotel and I stayed at Blakes last time I was in London. I like the feeling of warmth and homeliness that you get from both of those places.
The great thing about London is the little pockets of culture, like Hackney, which has its panto and its great community. Of course there's also the West End with its brilliant theatres and thriving tourism but to also have areas like Hackney which are so community based but not exclusive, that remind you that those surrounding you are the most important, is what makes London what it is.
The mountain at a given distance In amber lies; Approached, the amber flits a little,-- And that's the skies!
And so, little by little, I gradually divested myself of pretty nearly all of the guest conducting I used to do, because I was at the same time working in the places like the Met, where I could work in this sort of depth.
I think London is made up of tiny little pockets and villages, and lots of little sub-cultures. So, especially for an actor, it's a brilliant place to live because you've got inspiration all the time, wherever you are. You can turn a corner and you'll be in mansion houses with beautiful gardens and Ferraris, and you'll turn back on yourself and it'll be ghetto land. But I think that's brilliant.
I don't understand racism. We are all the same and I have the perfect hypothesis to prove it. I play to all those countries and they cry in all the same places in my show. They laugh in the same places. They become hysterical in the same places. They faint in the same places and that's the perfect hypothesis. There is a commonality that we are all the same.
People question what I thought of Oxford. Students used to talk about the 'Oxford bubble' because the place can make you feel cut off from the rest of the world. I would forget there were places like London that were not centred round libraries and essays.
There are pockets of great food in Spain, but there are also pockets of very mediocre food in Spain, and the same in Morocco and the same in Croatia and the same in Germany and the same in Austria.
The same things that we hurray and support in other places, like people like Nelson Mandela, our prisoners were doing the same thing, and they were captured and convicted of the same things. And we should remember them and treat them like the heroes they are.
Basically, actors arrive in a bubble. They have a little sealed bubble around them and it's basically [comprised of] their agents, their last film, their next film, their press agent, and their per diems - all these things, they cocoon themselves with and you have to puncture that bubble on each of them to make them be in your film.
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