A Quote by Neil Diamond
My writing is different. I think it's better. I think it's deeper. But, strangely enough, it covers a lot of the old ground. Maybe it says it in a more sophisticated way ... but I [have written] about basically the same subjects over the years.
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I always have the feeling that my subjects are the same - I'm just changing my point of view. I'm going to move a little bit this time and watch it a different way. But at the end, I think I'm always fascinated by the same things, except I will express them over and over again, with different words, with different colors, with different shapes. But strangely it will always be the same topics or subjects that are so important to me.
Basically everything I've done in art, I was in possession of when I was 20 years old. I use a waste retrieval method of working. I'll go back and use something that disgusted me 15 years ago but that I had enough sense to think about. Some artists change dramatically. I see my work more like history being written.
A lot has been written and said about why he was so great, but I think the best way to appreciate his greatness is just to go back and play some of the old records. Time has a way of being very unkind to old records, but Elvis' keep getting better and better.
Unless you're very boring, I think most people who've lived long enough have something in their past which will never go away. As a writer, my interest has become in writing about much more emotional, personal topics. I'm trying to reach into subjects I have never written about before.
All of these concoctions that we think are Mexican, are in no way reflective of the deep, incredibly old, complex and sophisticated deep regional cuisine of Mexico. Or the new modern Mexican cuisine, which has really been exploding over the last few years. I think we just have a completely misrepresented view of how good, how complex these flavors are. I think we could learn a lot more. It's a great cuisine that's really moving forward, faster than any other.
Because you think an explosion has taken place and you're looking at the shards and you say, 'Well, can we put this back together?' And by God, maybe you can put it back together. And maybe it won't be the same, but maybe it will be different, and maybe it can even be better in a different way.
Maybe I've lost a little, but I think everyone does over time. People have been writing that I'm getting old every year, and eventually they're going to be right. There's nobody in this game that's doing the same things they once did in the peak years of their career.
I have the vanity to think that every play I have written is different from the previous ones. Yet, even though they are written in a different way, they all deal with the same themes, the same preoccupations. 'Exit the King' is also 'The Bald Soprano.'
I think none of the humor in the first Evil Dead was intentional. We weren't that sophisticated. We got more sophisticated with Evil Dead 2 and Army of Darkness where you can start to manipulate the audience a little more, having more control over the medium instead of just trying to figure out how to do it. I suppose that's pretty normal with any craft. Every carpenter is better 20 years later.
The reason I love blogs so much right now is that I am seeing more critical voices appear, and that's kind of thrilling. I think a lot of critics in their forties or even their thirties have had their voice scared or trained out of them by the academy. I have nothing against the academy. I think it's brilliant and fantastic, but I also think that it's become almost monolithic. The same way a lot of art looks the same, a lot of writing can sound the same and quotes the same theorists.
I think I'm one of those people that kind of thinks everybody's got an identity, and maybe that's the core of their personality. But I think we change enough over the years that it's like a succession of different people.
I think - I really think my voice has gotten better in the last two or three years. I don't know why. I've been doing a lot of - a lot more lead singing, and everybody tells me that my voice was better than ever and I agree with them. Maybe I've learned to do more with it. I don't know what.
Every few years, I think, 'Maybe now I'm finally smart enough or sophisticated enough to understand 'Ulysses.' So I pick it up and try it again. And by page 10, as always, I'm like, 'What the hell?'
Every few years, I think, 'Maybe now I'm finally smart enough or sophisticated enough to understand 'Ulysses.'' So I pick it up and try it again. And by page 10, as always, I'm like, 'What the hell?'
Every single character and every single person in real life can all be 16 or 17 years old and maybe live in the same town and go to the same school, but every single girl is experiencing and living a different life. I think that, on the outside, it may seem like there's a lot of similarities, but there's also a lot of differences as well.
The book is actually called 'A Mentor Leader, a Different Way to Lead.' It really talks about my experience in the way I tried lead our football team, things that I learned from, basically, the coaches that I played for and my parents about leadership. And it is a little bit different, counter to maybe what society says about great leaders.
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