A Quote by Neil deGrasse Tyson

No one with a living room radio that was a piece of furniture at the time would say, gee. I want to carry that around on my hip pocket. That was not a thought until NASA initiated this whole exercise. So there's an influence that's not just spinoff.
The urge to miniaturize electronics did not exist before the space program. I mean our grandparents had radios that was furniture in the living room. Nobody at the time was saying, 'Gee, I want to carry that in my pocket.' Which is a non-thought.
In this time, we incorporate money and media, and it's split up like apartheid, where when you say "hip-hop," you think just rap records. People might have forgot about all the other elements in hip-hop. Now we're back out there again, trying to get people back to the fifth element, the knowledge. To know to respect the whole culture, especially to you radio stations that claim to be hip-hop and you're not, because if you was a hip-hop radio station, why do you just play one aspect of hip-hop and rap, which is gangsta rap?
I grew up in New York City in the '80s, and it was the epicenter of hip-hop. There was no Internet. Cable television wasn't as broad. I would listen to the radio, hear cars pass by playing a song, or tape songs off of the radio. At that time, there was such an excitement around hip-hop music.
Perhaps I could best describe my experience of doing mathematics in terms of entering a dark mansion. You go into the first room and it's dark, completely dark. You stumble around, bumping into the furniture. Gradually, you learn where each piece of furniture is. And finally, after six months or so, you find the light switch and turn it on. Suddenly, it's all illuminated and you can see exactly where you were. Then you enter the next dark room.
You just may be a redneck if your lawn furniture used to be your living room furniture.
You see, Greg, my mother is going through a feline phase. Blinky is a Persian,' Hale said simply, as if that should explain everything. 'Binky has a nasty habit of shedding all over the living room furniture, you see.' Gregory Wainwright nodded as if he understood perfectly. 'And so we had to get new living room furniture, which, unfortunately, does not go with the Monet.' Kat stood there for a moment, staring into that small window of the world where someone would tire of a Monet simply because it clashed with the couch.
In terms of collaboration, working on a new piece is always thrilling, as I'm sure most people would say, because the playwright is in the room and the piece itself evolves in response to what is happening in the room.
I'm always involved with the Aerospace Program and NASA and Goddard Space Flight Center. And if kids feel so inclined, they can log onto NASA and the Optimus Prime Spinoff Award, which we present every year to some of the brilliant young minds that are taking up into the academics of space, science, technology, math.
With 'Hannibal,' it's almost like the music is part of the furniture, so as a character goes from one room to another room, or we go from one place to another or whatever, the music is just going with it the whole time the same way that the audience is sort of tracking it and following along.
I used to stay up all night, roam around, drink, and carry on like everybody else. That all changed when I got older, started to exercise and play golf. I knew by the time the day was over I would not feel like exercising, so I made it a point to exercise early.
The piano is just a different animal. It's expensive, it's big, it's heavy, and it doesn't fit in the mix easily. Everyone grew up with a piano in their living room, so rocking out on the piano was accessible - it wasn't an upper-class thing. Now pianos have become very much a piece of furniture.
First time I ever took acid and got really high, as I was walking around I thought "Gee. The world looked like this when I was a little kid." I remember seeing the sparkling reality and three-dimensionality of things. Sort of like a renewal, every time you do it is a renewal, it is a renewal. It keeps your head young. It lets you keep that being able to accept the new thing just as easily as a kid would. Most people get all this stuff in their head like an old library, no room for the new volume to go on the shelves.
The first time I started choreographing was in the dark, in my living room, with the lights completely out, to some popular music on the radio. I put the radio on full blast and I started moving. I didn't know what it looked like. I didn't want to see it... I had to start in the dark.
I feel like everything I do in the hip-hop world has an influence. People don't really notice what I did until somebody else does it. As far as hip-hop goes, I want to continue to make good music, and good art. I don't really follow the state of hip-hop.
God would love to piece together the shattered fragments of your life. But He is waiting ... graciously waiting until the time is right. Until you are tired of the life you are living ... until you see it for what it really is. Until you are weary of coping ... of taking charge of your own life ... until you realize the mess you are making of it. Until you recognize your need for Him ... He's waiting.
I look at my faith like a room, and there was all of this furniture in there, but I had inherited most of the furniture. Then, when I got divorced, I took everything out just to see how I was going to refurnish the room, and that was a very essential step in my life. It was great.
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