A Quote by Neil LaBute

I see bits and pieces of me in all the characters in my films. — © Neil LaBute
I see bits and pieces of me in all the characters in my films.
I always like to borrow bits and pieces of things. There's a line between jumping on something that's happening and incorporating bits and pieces of it into my work.
All my main characters have got bits of me, bits of my family, bits of my friends.
I think all writers are always collecting characters as we go along. Not just characters of course, we're collecting EVERYTHING. Bits and pieces of story. An interesting dynamic between people. A theme. A great character back story. A cool occupation. The look of someone's eyes. A burning ambition. Hundreds of thousands of bits of flotsam and jetsam that we stick in the back of our minds like the shelves full of buttons and ribbons and fabrics and threads and beads in a costumer's shop.
My mom used to have a lot of European cinema playing in the house, so I'd catch bits and pieces of films.
All of my characters tend to be montages of different people I've met: little bits and pieces of their personalities put together.
I feel very protective in the first draft, when all the pieces are coming together. I work in a way that is not linear or chronological at all, even with the short story. I will just be writing bits and pieces, and then when I have all the pieces on the table, that for me is when it feels like the real work begins.
I, and all the complex things around me, exist only because many things were assembled in a very precise way. The 'emergent' properties are not magical. They are really there and eventually they may start re-arranging the environments that generated them. But they don't exist 'in' the bits and pieces that made them; they emerge from the arrangement of those bits and pieces in very precise ways. And that is also true of the emergent entities known as "you" and "me".
On some level, every story draws something from life experiences. Most of the time, it's just a matter of me pulling bits and pieces of my own past to help give characters or settings a little more life.
I work in bits and pieces. When I'm touring it's difficult. After touring, when I have space and time, it's a process, something I've been doing since I was 10 or 11 years old. I collect lyrics, melodies, bits and pieces, and finally it all comes together. It's hard to say - I've been trying to figure out how the process works.
It's important that we're properly represented and for viewers to see all the bits and pieces of being a woman of color.
I've been frozen for 30 years. I've got to see if my bits and pieces are still working.
We have little bits of comedy throughout our films but this is like a full-on comedy. I had great time. It was fun to do a comedy and see a lot of the people I worked with on our previous films and meet some new actors. It was a good experience for me.
If you look at any creative person's work, you can see bits and pieces of their influences. That's what an artist does.
Look at the bark of a redwood, and you see moss. If you peer beneath the bits and pieces of the moss, you'll see toads, small insects, a whole host of life that prospers in that miniature environment. A lumberman will look at a forest and see so many board feet of lumber. I see a living city.
There are bits and pieces of me probably in every one of my 35 or so books.
The truth is I don't see a lot of movies. I see the Oscar films. I see the films that are sent to me and a few films throughout the year.
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