A Quote by Neil Patrick Harris
Thankfully, the meat of the Tony telecast is the performances from the shows, so the awards show kind of creates itself around the season, and then I fill in based on the vibe of the season in general. I'm happy that there'll be so many legitimately good performances on the show.
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I don't really like to arrange shows by best performances. That's why Emmy season is kind of a chore for me. Unlike movies, where it's easier to decide who was the best performance, a TV show goes up and down, including characters/portrayals.
I loved 'True Detective' so much in Season 1, and then when the Season 2 monstrosity came around, I was like, 'What is this show? What have you done to this show?'
This play John Drinkwater's Abraham Lincoln holds the season's record, thus far, with a run of four evening performances and one matinee. By an odd coincidence, it ran just five performances too many.
For those of you who are fans of 'Agents of SHIELD,' that show has continued to grow creatively every season. I feel like last season, Season 4, was its strongest creatively yet. I'm very excited for what we have planned for Season 5.
A ghostly side note Soldier boy Miller played a Lucifer-like character in the final two episodes of Joan of Arcadia. Coincidence I do find it strangely poetic, ... that a character who shows up on a show about God to play something kind of satanic winds up in the very last two episodes of that show, and then appears in the show that replaces that show on its exact time and night the following season.
The first season of a show is kind of like an extended pilot. You're only really on the map if it goes a second season.
The first season of a show's always a rollercoaster because nobody knows what they're doing. You gotta rush through the season trying to figure out: What is this show? And who are these characters?
I am a Tony voter; it is an honor that I take seriously. Each season, I enter the process with a degree of enthusiasm and optimism, which dissipates as I slowly plow through show after show.
The Academy Awards were basically created by the industry to promote pictures. They weren't really to acknowledge the performances. Then it became sort of this a great popularity contest and now, it's an incredible show and it's seen all over the world.
I might feel like one day is one of my best performances ever and I may top that performance or I may just pace myself for the next 5 shows. Rather I'm giving them a good show it will always be a solid same show so it always depends on my energy.
I've always said at the beginning of every single season of the show when I was running the show in the writers' room, "This is the last season, so let's smoke 'em if we've got 'em."
At the end of Season Four of 'Mr. Show,' instead of doing another season, everyone just thought they wanted to go and do a movie. Kind of like Monty Python. Monty Python went right into 'And Now For Something Completely Different,' and everyone kind of compared 'Mr. Show' to Monty Python.
I had a good time at Chelsea and was accepted in the team, so it's difficult to explain why I left. My performances were good as well, but there was a time in my second season when I felt I didn't have the manager's trust any more and I didn't play many matches from the start.
My microphone went out in the 2009 Tony Awards. It was my big moment, and I was so excited to perform and lead the cast; I sang 'Sit Down, You're Rockin' the Boat.' Every actor dreams of standing front and center on the Tony Awards, and I start to sing, and you hear this crackling. I had no idea what to do - were they going to stop a live telecast?
I watched season four of 'The Wire.' They have subtle performances that they do through their eyes. You could watch season four with the audio off and still understand what's happening through their eyes.
The great thing about working on a genre show is that you can basically have a season finale where every character is left destroyed, and then hit the reset button and come back for the next season.
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