A Quote by Neil Simon
Nathan Lane always wanted to play Oscar. When he came in the first day, he already knew his lines. He said he'd known them since he was 18.
Related Quotes
I was born Joseph Lane, but when I applied to the actors union, they said they already had a Joe Lane on the books and I'd have to change my last or first name. I had played the character of Nathan Detroit, whom I liked very much, in 'Guys and Dolls,' so I took the name Nathan.
I did a production of 'Journey's End,' an RC Sherriff play about World War I, at the Edinburgh Festival. I was 18 and it was the first time that people I knew and loved and respected came up to me after the show and said, 'You know, you could really do this if you wanted to.'
When I was 2 my mom said she knew I was going to be a singer. I`ve been performing ever since I was a young kid. So I`ve known I wanted to do this for awhile. I always knew in my heart that I`d be singing.
First I wanted number seven since my roll number in school was seven. But, someone was already wearing jersey number seven. Then a BCCI manager said I should take 18 since my birthday is on 18 July. At that time, I didn't know that Virat Kohli also wears number 18.
The first thing I wrote was a one-act play that got accepted at a one-act play festival, and I was in it along with Nathan Lane and a couple of other very good actors.
I have always known that it comes from deep within myself. I always knew what sound I wanted, and how I wanted to play. I knew everything, it just had to be developed.
When I was 18 years old I knew pretty much what I wanted to do in life. When I was 18 I knew I wanted to be a pro bodybuilder.
When I came to California, I came from such an upper scale neighborhood, I was so sheltered, but I always knew I wanted to live in California, and I wanted to play guitar.
My hairdresser Alan, who I've known since I began competing, lives with us, along with his husband Nathan, so I have my own gay gaggle.
White boys always get the Oscar. It's a known fact. Did I ever get a nomination? No! You know why? Cause I hadn't played any of them slave roles, and get my ass whipped. That's how you get the nomination. A black dude who plays a slave that gets his ass whipped gets the nomination, a white guy who plays an idiot gets the Oscar. That's what I need, I need to play a retarded slave, then I'll get the Oscar.
My parents came to see me in a play at Eton when I was 16. And then, when I said I wanted to try for drama school, they knew there was enough passion there for them to be brave and back me.
I quoted David Hare one of his lines the other day to illuminate whatever point we were trying to make in the conversation, and I said 'What play was that?' and he said 'It was your line, you said it about a hundred and fifty times in The Vertical Hour.'
I knew that I wanted to be an illustrator since I was in kindergarten. I can remember the exact day. The art teacher usually came to our classroom once a week, but she was absent that day. Instead, our regular teacher gave us each a huge piece of paper and crayons, and we could do whatever we wanted.
The part of [Oscar] Wilde was exceptionally important to me; the man, his achievements, his wisdom, but his downfall, his disgrace and the tragic and bitter end to it have always fascinated, appalled and attracted me since childhood. It was he who first in some measure vindicated my sexuality.
I was always the smallest role in community theater and school plays. I always had two lines - I was the kid that came on stage and said one thing and then left, and that was my part for the play.
I've been a feminist since the day I was born. I wanted to play football. I didn't want to play with dolls; I wanted to play with boys and didn't understand why I couldn't.
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