A Quote by Neil Young

The '60s was one of the first times the power of music was used by a generation to bind them together. — © Neil Young
The '60s was one of the first times the power of music was used by a generation to bind them together.
We may consider each generation as a distinct nation, with a right, by the will of its majority, to bind themselves, but none to bind the succeeding generation, more than the inhabitants of another country.
Gifts, like words, carried with them a great deal of power. They bestowed good fortune just as powerfully as they could curse; the could bind people together or tear them apart.
Today's children are living a childhood of firsts. They are the first daycare generation; the first truly multicultural generation; the first generation to grow up in the electronic bubble, the environment defined by computers and new forms of television; the first post-sexual revolution generation; the first generation for which nature is more abstraction than reality; the first generation to grow up in new kinds of dispersed, deconcentrated cities, not quite urban, rural, or suburban.
I think jazz is a beautiful, democratic music. It encourages musicians with very strong, and many times, very different points of view to work together as a team while, at the same time, giving them the space to express their individuality. It's a very important art form and can be used as a model for different cultures to work together.
Hillary Clinton was the first professional First Lady, the first feminist First Lady, the first First Lady from the '60s generation, the first First Lady who was the breadwinner in the family. A lot of America liked and admired that. Some other parts of America found that unappetizing and even kind of threatening. So she became a flashpoint simply for who she was.
What I want to do is basically tell my generation's story about how music and culture helped affect a generation, and a generation that's so profound, that it went on to elect the first African-American president.
I think in my generation, when I came along in the early '60s, the type of music that was in vogue in society in those days had moved on to another kind of music. I was trying to sell antiques in a modern appliance store.
There's the generation that made the rules, the generation that codified them. The generation that broke them - that's mine. The generation that laughed at them - that's Tarantino's. And now there's a generation that doesn't know that there were any.
Great rewards will come to those who can live together, learn together, work together, forge new ties that bind together.
Whether in times of war or times of peace the Quaker is under peculiar obligation to assist and to forward movements and forces which make for peace in the world and which bind men together in ties of unity and fellowship.
A power to dispose of estates for ever is manifestly absurd. The earth and the fulness of it belongs to every generation, and the preceding one can have no right to bind it up from posterity. Such extension of property is quite unnatural.
The '60s weren't my cup of tea. I never bought that philosophy that, you know, we're all brothers and that'll solve everything. And I never believed that music dictated the times. I always thought it reflected them.
I always want to do music that inspires or influences another generation. You want what you create to live, be it sculpture or painting or music. Like Michelangelo, he said, “I know the creator will go, but his work survives. That is why to escape death, I attempt to bind my soul to my work.
I'll be the first one to tell you I burn coal... That fossil generation and the nuclear generation, frankly, is necessary in order for me to provide power.
I used many times to touch my own chest and feel, under its asthmatic quiver, the engine of the heart and lungs and blood and feel amazed at what I sensed was the enormity of the power I possessed. Not magical power, but real power. The power simply to go on, the power to endure, that is power enough, but I felt I had also the power to create, to add, to delight, to amaze and to transform.
I'm obsessed with the power of music and image together. There's also something about music videos that are incredibly glamorous - there's a fetishistic aesthetic to them that you don't really see in movies in the same way.
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