A Quote by Nils Frahm

The music works by itself, but you can change the perception of it by the way you dress, the way you move, the things you say, the things you don't say. And when you realize that everything is staged, then nothing is staged. There's a kind of liberation to that.
When you realize that everything is staged, then nothing is staged.
Today, somewhere in America, there's a kid who's got a laptop and a guitar and a couple of his friends he's putting together to play drums and bass, who's gonna change the way we say things, the way that we dress, the way we view things, the music we hear, everything.
I used to say, "I sure hope things will change." Then I learned that the only way things are going to change for me is when I change
You have to learn to say no not just to things you don't want to do, you have to say no to things that you want to do, things that are good to do. You have to realize that every time you say yes to one thing you've got to take something else off the plate. Critically, I think you have to realize that it's easier to say no than to say maybe.
My staged work looks so real that people actually take it for documentary. But, in fact, that is my intention, to disguise the manufacturedness of it. Half of my work, or probably more than that, is staged.
And the people who say things to you about the way you look and the way you dress, they have nothing more to their lives. That's all they do, and you have something more in you.
To be honest, when you're younger and cooler, you say those sort of things don't mean anything, but then on the day when they pat you on the back and they say, "Look, mate, we're noticing what you're doing-thanks very much;' you think of the people who spent a life in the cinema and didn't receive that kind of accolade, and it's sort of a humbling experience. And it's very nice and all that. But it doesn't change the way I do things.
I never staged a coup. They picked me up. Like I say, they forced me to become premier, maybe hoping that by that way, they send me to the electric chair.
Nothing is staged. And nothing is already there. Everything is transformed through the camera.
One song isn't going to ever change things, but I suppose it's the accumulation of music generally [that is]. If you can imagine a world that has no music in it, it would be a very different world, so music does change the world by virtue of all the music in it. Cumulative music of every kind, from banging a drum to playing a flute or recording symphonies, or singing 'War, what is it good for?' All those things change the whole way we live.
There's all kind of things going on in the world that I don't like but I can't change. But at least I can say, 'Change the way you eat!'
That's not how politics works - sometimes things move in a rather imperceptible way. There are no fireworks, and then comes a time when change comes unexpectedly. Sometimes change comes with a lot of fireworks, but not always.
The Web itself doesn't as much change the way we do things as it changes the ease with which we do things. And that changes the way we do everything.
What I aspire to do, and what I try the hardest to do, is write stuff that's very personal in its way. I figure I can only say things the way I say them, so I'm trying to do something that is kind of anti-generic.
The way I dress, the way I talk, the way I do things, what I say on Twitter - it's just like, that's who you are, so don't try to mask who you are just because of what other people think of you.
I have always staged my fears as a way to transcend them.
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