A Quote by Nimrat Kaur
As an actor, there are many confusing factors that can make you take or not take a decision. It becomes difficult. Your first and last checkpoint should be the story. I always read a script as an audience.
Related Quotes
It's not like I walk around being Superman in real life. But when you read the script and put yourself in the position that Superman is in - I mean, he's always saving the planet, for God's sake. When you realize that, it's not difficult to take the gravitas of the situation and make your voice do what it needs to do.
When you start out as an actor, you read a script thinking of it at its best. But that's not usually the case in general, and usually what you have to do is you have to read a script and think of it at its worst. You read it going, "OK, how bad could this be?" first and foremost. You cannot make a good film out of a bad script. You can make a bad film out of a good script, but you can't make a good film out of a bad script.
The audience makes the decision of what kind of actor they want to watch. I always have said in the last 20 years, the real boss is the audience.
I think that when you first read material or you first read a script or story and know you might be playing a part, it's important not to see yourself because it should be a challenge enough that it doesn't come easy.
Theologians will protest that the story of Abraham sacrificing Issac should not be taken as literal fact. And the appropriate response is twofold: first, many, many people even to this day, do take the whole of their Scripture to be literal fact, and they have a great deal of political power over the rest of us, especially in the United States and in the Islamic world. Second, if not of literal fact, how should we take the story? As an alagory? Then an alagory for what? Surely, nothing praiseworthy. As a moral lesson? But what kind of morals could one derive from this appalling story?
The actor's always as good as the stories are. And so many important things, there is the light, there is the costumes, the makeup, there's the text, there's so many elements which the actor himself cannot control. But the script is the most important thing. First of all the story, and then you go from there. You know, it's like you stand in the kitchen, and say are we making a fish or do we grill a steak? And you go from there.
I always think it's interesting to switch genres, because if I read a script and I know exactly how to manifest a story, I don't really want to do it anymore, because I've already done it in my head. It becomes less interesting. If I read something that's challenging, I get really passionate and usually fall in love with it, because I feel I need to do it. I need to tell the story; I need to find a way to make it happen.
When you first read a script is the purest moment. That's when you can understand how an audience will ultimately receive it. The first reading of the script is so important because you're experiencing it all for the first time, and it's then that you really know if it's going to work or not.
I always take part in the creative process of every film of mine. Gone are the days where an actor would walk into the sets, finish his portions, take the money, and leave. In fact, I've been accused of being interfering - but that's the way I am. It is important for every actor to get involved with the script.
You should always make it like it's your last film. That's my personal belief. Every filmmaker is going to have another belief... That's the only way I know to try to make a film that might be good. You got to take it real seriously like it's your last thing.
I think the great thing about the Jack Ryan films is that the plot and the story always take center stage. If you've done your job as the actor portraying Jack Ryan, you are present enough to make an impact, but you let the story shine.
I thought, 'If I go to uni, I can read and watch people and take many different subjects - take philosophy modules - and have time to travel in the summers,' which I did. I thought, 'I hope this will make me a better actor,' and it did.
Trying to get somebody to read your script and you're a musician? That's the last person whose script you're gonna read!
Take responsibility for your last bad decision, and then let it go. Don't blame others or make excuses for yourself.
I always tell people when it's time to make a decision to stay or go [at a job], if it's a difficult decision, you should stay. If it's an easy decision, you should go.
It wasn't easy at all for a qualified engineer to take the decision of giving it up, leave Punjab and try to make a name in films. But I really wanted to be an actor, hence I took the decision.
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