A Quote by Nina Arianda
I don't really know what 'American' is. I know what Ukrainian is. We're happy Slavic people. We're not Dostoyevsky Slavic people. There's this sense of 'pick it up, get your hands dirty, make the best of it, celebrate.'
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There are complicated processes going on in society in the Crimea. There are problems of the Crimean Tatars, the Ukrainian population, the Russian population, the Slavic population in general, but this is Ukraine's domestic political problem.
I remain convinced that for Stalin to have complete centralized power in his hands, he found it necessary to physically destroy the second-largest Soviet republic, meaning the annihilation of the Ukrainian peasantry, Ukrainian intelligentsia, Ukrainian language, and history as understood by the people; to do away with Ukraine and things Ukrainian as such. The calculation was very simple, very primitive: no people, therefore, no separate country, and thus no problem. Such a policy is Genocide in the classic sense of the word.
The Soviet Union came apart along ethnic lines. The most important factor in this breakup was the disinclination of Slavic Ukraine to continue under a regime dominated by Slavic Russia. Yugoslavia came apart also, beginning with a brutal clash between Serbia and Croatia, here again 'nations' with only the smallest differences in genealogy; with, indeed, practically a common language. Ethnic conflict does not require great differences; small will do.
I have Slavic fat pads that make me look like a chipmunk and arched predatory eyebrows. With that, you're not going to get funny. That's why I play so many bad guys.
My dad's side of the family had lots of artists and musicians. There's an emotional, quite sentimental quality to Slavic culture. It's very open, it loves art, it loves music, it loves literature. It's very warm, it's very up, it's very down. I would celebrate that.
Slavic peoples get their physical characteristics from potatoes, their smoldering inquietude from radishes, their seriousness from beets.
People think of me as a stereotype: muse, privileged, decorative. Classically, the muses were the inspiration. They'd come and go - they wouldn't actually make things, get their hands dirty. I don't think I'm a muse, although I think I can help pull a trigger. I really like getting my hands dirty.
I'm not a walking extra in a Chekhov play; I'm no Slavic gloom or Irish gloom. I mark only the happy hours, like the sundial, because otherwise I would have gone nuts.
You know if you pick up a beach read, you're excused from the problems in your own life and safe in a world with conflicts you understand, and you know you will get a happy ending.
What can you ever really know of other people's souls — of their temptations, their opportunities, their struggles? One soul in the whole of creation you do know: and it is the only one whose fate is placed in your hands. If there is a God, you are, in a sense, alone with Him.
I think the people in your life are the people that - when you can make other people happy and you can give things to your family and your friends, you know, that's really obviously what life is all about. But it doesn't have to be children. It doesn't have to be a husband. It can be whatever you make it.
When you come from a family of actors, people in show business, they really know to celebrate good news and to celebrate it hard because it's not every day that you get it.
If you're a gardener, or creating a garden you're clearly looking to the future. You have a sense of your own future and a sense of yourself in that space. People coming here feel that hope, that renewal, and that sense of regeneration. They get their hands dirty and connect back to the ground, which is what we feel strongly about - giving everybody the opportunity to get connected to the earth.
I am a Slavic musician and it is deeply inside of me.
People know Paul as the car guy, but he created Reach Out Worldwide because he actually wanted to get his hands dirty and wanted to help people and he didn't want to get the publicity for that.
People who get implants, it's so depressing, you know... People - I don't know. The route of that, you know, maybe they want more love or attention, or what it is, but they always go for the most obvious place, you know? Here... Well if you really want more attention, why not get them in your eyes? And then move your eyes down to where your nipples used to be, put your breasts up on your head, everybody will pay attention!
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