A Quote by Nina Bawden

All writers are liars. They twist events to suit themselves. They make use of their own tragedies to make a better story... They are terrible people. — © Nina Bawden
All writers are liars. They twist events to suit themselves. They make use of their own tragedies to make a better story... They are terrible people.
All over the world, girls are raised to be make themselves likeable, to twist themselves into shapes that suit other people. Please do not twist yourself into shapes to please. Don't do it. If someone likes that version of you, that version of you that is false and holds back, then they actually just like that twisted shape, and not you. And the world is such a gloriously multifaceted, diverse place that there are people in the world who will like you, the real you, as you are.
When you live alone you no longer know what it is to tell a story: the plausible disappears at the same time as the friends. You let events flow by too: you suddenly see people appear who speak and then go away; you plunge into stories of which you can't make head or tail: you'd make a terrible witness.
You see it in the many bouncing clothes that are not just pleats. To make them, two or three people twist them - twist, twist, twist the pleats, sometimes three or four persons twist together and put it all in the machine to cook it.
I mean, first, almost all writers these days teach because they don't make enough money publishing to live on, to support themselves - people like Tobias Wolff, Anne Beattie, Amy Hempel, Stuart Dybek; a lot of short story writers, for one thing.
It is our attitude toward events, not events themselves, which we can control. Nothing is by its own nature calamitous -- even death is terrible only if we fear it.
I like to write from my life and the relationships that make it up. I think its important to use music to change people's moods. I try to write my story in a way that people can take for themselves and their own life.
The word 'creative' refers simply to the use of literary craft in presenting nonfiction—that is, factually accurate prose about real people and events—in a compelling, vivid manner. To put it another way, creative nonfiction writers do not make things up; they make ideas and information that already exist more interesting and, often, more accessible.
So, take what's inside you and make big, bold choices and for those who can't speak for themselves, use bold voices and make friends and love well, bring art to this place and make the world better for the whole human race.
Most writers have no idea how to make a film. It's a totally different skill set. Nor is it just to translate exactly what's on the page directly on to the screen - because that would be terrible. It would be five hours long, and the structure would be a mess. But the writers know the characters and the story.
We have to train our kids better and really enforce in them that no matter what mainstream media and pop culture and all of the terrible things around us say - that it's OK to tear people down, that somehow it will make you feel better, and it's OK to gossip about people - it won't make you feel better.
People see me as a person who can make them some money, which makes it hard to make real friends. I'm asked to do a lot of stuff for free - to wear certain clothes, turn up to events - people use you to make money. I think that's why I tend to jump into relationships.
The one good thing about a movie and music and stuff like that: Sometimes it's a counterpoint between the movie and the music itself, the difference and the tension they build together. I think that could be something that helped with me, because when I write songs now, I write lyrics a bit like that. I try to make the music be an interesting twist on the lyrics and help tell the story in a - I don't tell crazy stories, you know? So a lot of times, the twist is in the subtleties. The twist is in the way the story's told.
No matter how explicit the pledge, people will turn and twist the text to suit their own purpose
Producing is figuring out how to make each character have a distinct voice, how to make the story twist and turn - that's the biggest challenge.
People are trying to build a society where they can talk across the aisle so to speak, and have civil discourse. At the same time we're trying to inform ourselves about what's really true so that we can make evidence based decisions that is better than superstition or rumor. But the fact is that people who use evidence based decision making have much better life outcomes, greater life satisfaction, they live longer, they make better personal and medical decisions, better financial decisions. But parallel to that is you can't reason somebody out of a position they didn't reason themselves into.
Once, as an experiment, I travelled around the world with a single suit. Before I left, I went to a tailor in Savile Row and asked him to make me a suit that I could wear in any climate and which I could use as a tuxedo, a dinner jacket, a lounge suit and a blazer.
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