A Quote by Ninon de L'Enclos

The ideal has many names, and beauty is but one of them. — © Ninon de L'Enclos
The ideal has many names, and beauty is but one of them.
Progo,' Meg asked. 'You memorized the names of all the stars - how many are there?' How many? Great heavens, earthling. I haven't the faintest idea.' But you said your last assignment was to memorize the names of all of them.' I did. All the stars in all the galaxies. And that's a great many.' But how many?' What difference does it make? I know their names. I don't know how many there are. It's their names that matter.
The great attraction of fashion is that it diverted attention from the insoluble problems of beauty and provided an easy way -- which money could buy... to a simply stated, easily reproduced ideal of beauty, however temporary that ideal.
We have spent so many years looking at images of another beauty ideal and so many years taking in magazine covers and films that represent a beauty standard that we'll never meet. People don't realize that there are makeup artists and hairstylists behind the scenes - even in something as simple as a 'candid' Instagram photo.
I'm very influenced by landscapes, not so much the way places look as the way the names sound. In this country we've got so many cultures, and the place names - the Spanish names and the Indian names, which are so incredibly musical.
It still may take some explaining, but many more women are keeping their birth names (and not calling them maiden names, with all the sexual double standards that implies).
In Brazil, there isn't just one beauty ideal. There's a lot of emphasis on a woman's natural beauty - but of course, Brazilian women love expressing their beauty through makeup.
Ecclesiastes names thee Almighty, the Maccabees name thee Creator, the Epistle to the Ephesians names thee Liberty, Baruch names thee Immensity, the Psalms name thee Wisdom and Truth, John names thee Light, the Book of Kings names thee Lord, Exodus names thee Providence, Leviticus Sanctity, Esdras Justice, creation names thee God, man names thee Father; but Solomon names thee Compassion, which is the most beautiful of all thy names.
I have lived for over three hundred years. In that time, the ideal of beauty has changed many times. Large breasts, small, thin, curved, tall, short, they have all been the height of beauty at one time or another. But in all that time, ma petite, I have never desired anyone the way I desire you." - Jean-Claude
There were many words that you could not stand to hear and finally only the names of places had dignity. Certain numbers were the same way and certain dates and these with the names of the places were all you could say and have them mean anything. Abstract words such as glory, honor, courage, or hallow were obscene beside the concrete names of villages, the numbers of roads, the names of rivers, the numbers of regiments and the dates.
The ideal and the beautiful are identical; the ideal corresponds to the idea, and beauty to form; hence idea and substance are cognate.
People seem to have a great love for names. For to know a great many names seems to look like knowing a good many things.
This means that we have barely disembarked into life, that we've only just now been born, let's not fill our mouths with so many uncertain names, with so many sad labels, with so many pompous letters, with so much yours and mine, with so much signing of papers. I intend to confuse things, to unite them, make them new-born intermingle them, undress them, until the light of the world has the unity of the ocean, a generous wholeness, a fragrance alive and crackling.
God is known by many names. And in the last analysis God's names were as many as human beings.
You put the picture of the ideal person in your head and then someone comes along and they don't fit that ideal at all. But somehow there is something about them that is so attractive. Everyone that I have fallen for has not fit that ideal at all.
Nothing, indeed, is more dangerous to the young artist than any conception of ideal beauty: he is constantly led by it either into weak prettiness or lifeless abstraction: whereas to touch the ideal at all, you must not strip it of vitality.
All black Americans have slave names. They have white names; names that the slave master has given to them.
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