A Quote by Noam Chomsky

Meteorologists are pretty faces reading scripts telling you whether it's going to rain tomorrow. — © Noam Chomsky
Meteorologists are pretty faces reading scripts telling you whether it's going to rain tomorrow.
It's true that you can't take an individual rain droplet and say where it's come from or where it's going to end up. But you can say with pretty good certainty whether it will be cloudy tomorrow.
I worked in script development, many years ago, and read a lot of scripts. Between that and the scripts I've read as an actor, and I'm a writer as well, I think I have a pretty good sense about whether the bones of a story are there and whether the structure is intact.
You really get a feeling, when you're reading scripts, pretty quickly. Within 20 or 25 pages, you can get a sense of the part. I always think about whether I'm right for it and whether I can do it. If I don't think I'm right for it, it should go to somebody else.
The scripts of 'The Wire' are fantastic - the scripts of 'Breaking Bad,' the scripts of 'Mad Men,' the scripts of 'The Sopranos,' the scripts of 'Battlestar Galactica.' You could keep going on. They're incredibly well written.
For the last episode [of Downton Abbey], you'll need some handkerchiefs. I needed handkerchiefs reading it. It wasn't because it necessarily moved me while reading it, but it was the experience of reading it when I realized it was the last time I was ever going to be reading one of those scripts. That was quite terminal.
I'm terrible at reading scripts. I love to read, and I hate reading scripts.
I like to invest as a performer in the director's vision and then bring a sense of reality to whatever I'm doing, whether it's comedy or whether it's drama, and trust that they're going to tell me if something's reading as funny or if it's reading as dramatic or reading in the right tone.
There are moments when I think it will never end, that it will last indefinitely. It's like the rain. Here the rain, like everything else, suggests permanence and eternity. I say to myself: it's raining today and it's going to rain tomorrow and the next day, the next week and the next century.
I was reading scripts, doing coverage, for CAA. Reading hundreds and hundreds of scripts across the board, from blind submissions to 'Brokeback Mountain'. It was not always a pleasant task but something, in hindsight, I'm glad I did.
I'm pretty sure no one's reading action scripts saying, 'This has got to be Ed Helms.'
The only question is whether you’re going to do it today or tomorrow. If you keep saying you’re going to do it tomorrow, you’ll never do it. You have to get on it today.
If I've learned anything over the past 5 years, it's that you do not know where you're going to be tomorrow. You have to make decisions based on that; it's almost pointless. So, you know, whether I learned, I think I'm pretty aware, pretty conscious of that point to live in the moment. It's a hard lesson, but it's like, I'm trying to learn to quiet my mind down, know what I mean?
For the moment, whenever I read, it is normally scripts. You start a book and then you think, 'I should be reading these five scripts.'
For the moment, whenever I read, it is normally scripts. You start a book and then you think, 'I should be reading these five scripts.
The test for me, when I read other people's scripts, is whether I feel like there's something about me that is the best person to tell this story. I have a pretty high bar for myself. There's a lot of scripts that I read and think, "Oh, this is great, but I think there are 50 other directors who could bring this to the cinema."
I have been reading scripts, going to auditions and looking for the right opportunities.
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