A Quote by Noma Bar

Even when I illustrate multiple articles on the same person, the focus of the pieces are never the same, so I automatically get to reflect different ideas. But it doesn't mean that it's not a painful process. There are some really late nights.
I'm not trying to create an aesthetic that's my own; I'm trying to create a way understanding things through drawing and painting. That's the common thread. Things can look different, but that's not what's important. What's important is the process is the same, the ideas are the same, I'm using the same building blocks, but they're different. The larger framework is the same; it's the pieces that change. For me, it's about these different elements, but you're still fitting them together into sentences, words, paragraphs, and stories.
In general, I don't like game mechanics, I mean it's the idea you do the same things through different levels. I think, in my mind, it's an ideas I don't really like because I love to do different things and like to see the story moving on and I like to do different things and different scenes, not do the same thing over and over again. If it involves violence at some point fine, if it makes sense in the context. But violence for the sake of violence, it doesn't mean anything to me anymore.
I'm not the same guy that you may have seen from the 'I Get Wet' album. I'm not that same person, and I don't just mean that in a philosophical or conceptual way. It's not the same person at all.
A hundred years ago-even 20 or 30 years ago-it was possible, if not always easy, to close major business by calling on and satisfying a key decision-maker. Today, every piece of business entails multiple decisions, and those decisions are virtually never made by the same person. Not only do you have to contend with multiple decisions, but the people who make those decisions may not even work in the same place.
It was disconcerting for the novel to seem so different when I re-read it. Of course we are a different person each time we open a book to read it again; we can never really experience it in the same way, just as we can never step into the same stream twice.
Producing and deejaying are two different outlets to the same creativity. When I'm in the studio I get to create and go through my process. When I'm on stage I get to share the results of that process with everybody. It's two different experiences but they both go back to the same thing and I love them both.
So many boys and girls talk the same way, listen to the same music, look the same. If I'm out, I'll notice the person who looks different before I notice the person who's, "really hot."
So many boys and girls talk the same way, listen to the same music, look the same. If I'm out, I'll notice the person who looks different before I notice the person who's, 'really hot.'
The idea that you live your life in phases - I've never bought that. I feel like I'm the same person who sat in at the draft board in 1965, I'm the same person who joined a fraternity, I'm the same person who got an MFA at Bennington, and I'm the same person who founded Weather Underground. My values are still intact.
Two things, almost incompatible, are united in me in a manner which I am unable to understand: a very ardent temperament, lively and tumultuous passions, and, at the same time, slowly developed and confused ideas, which never present themselves until it is too late. One might say that my heart and my mind do not belong to the same person.
Scientific truth is not what any one scientist puts forth. It can be that, but it is generally not. It is the sum of multiple studies that all lean in the same direction in their results conducted by different people at different times of different nationalities with different competitive urges who all end up getting the same result. Then you have an emerging scientific truth, and then you put that in the textbooks, and that will never be shown to be wrong later on.
Beyond the formative effects of reading on the individuals composing society, the fact that they have read the same books gives them experiences and ideas in common. These constitute a kind of shorthand of ideas which helps make communication quicker and more efficient. That is what we mean when we say figuratively of another person, We speak the same language.
I've heard some writers say that they are obsessed with certain ideas and that they find themselves writing around the same obsession again and again, but telling different stories to get at that same idea. I'm beginning to think that I suffer from this syndrome, too.
We all declare for liberty; but in using the same word we do not all mean the same thing. With some the word liberty may mean for each man to do as he pleases with himself, and the product of his labor; while with others, the same word many mean for some men to do as they please with other men, and the product of other men's labor. Here are two, not only different, but incompatible things, called by the same name - liberty. And it follows that each of the things is, by the respective parties, called by two different and incompatible names - liberty and tyranny.
Some people think that my shows are just for shock value, but the provocation makes those classic pieces look different every six months. You don't need to see the same gray suit every season. But surrounding it with 40 really interesting ideas makes it feel new.
I think men and women are the same. Even as parents, I think we're the same. We're just conditioned to think that we're different. Having said that, it's true that motherhood is a particularly vulnerable area. It's an open wound, really. A woman is exposed to being turned into a different kind of person by the experience of motherhood.
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