A Quote by Ren Ng
If you think about all the light that enters - that enters the lens of a camera, that's much more than a photo. The light field is all the higher-dimensional information that's lost in a regular photo. When we record all this information, that provides us the opportunity in software after the fact.
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We hypostatize information into objects. Rearrangement of objects is change in the content of the information; the message has changed. This is a language which we have lost the ability to read. We ourselves are a part of this language; changes in us are changes in the content of the information. We ourselves are information-rich; information enters us, is processed and is then projected outward once more, now in an altered form. We are not aware that we are doing this, that in fact this is all we are doing.
When you look at a photo twenty years from now, if you look at a photo of a moment in your life, or some friends, or yourself, you just have a lot more information about what that memory was. That's exciting to me. It's like a form of time preservation, I suppose.
Unlike regular digital or film cameras, which can only record a scene in two dimensions, light field cameras capture all of the light rays traveling in every direction through a scene. This means that some aspects of a picture can be manipulated after the fact.
In the case of health information, I spent twenty-five years practicing medicine, and I was all too familiar with the fact that information wasn't properly shared, so I wouldn't know exactly what was in the hospital records; patients would be lost. Computerization gives the opportunity to actually get the information much better.
My works are about light in the sense that light is present and there; the work is made of light. It's not about light or a record of it, but it is light. Light is not so much something that reveals, as it is itself revelation.
I don't think we should have less information in the world. The information age has yielded great advances in medicine, agriculture, transportation and many other fields. But the problem is twofold. One, we are assaulted with more information than any one of us can handle. Two, beyond the overload, too much information often leads to bad decisions.
Information is light. Information in itself, about anything, is light.
Architecture which enters into a symbiosis with light does not merely create form in light, by day and at night, but allow light to become form.
One can think of a secretary actively operating a filing system, of a librarian actively cataloguing books, of a computer actively sorting out information. The mind however does not actively sort out information. The information sorts itself out and organises itself into patterns. The mind is passive. The mind only provides an opportunity for the information to behave in this way. The mind provides a special environment in which information can become self-organising. This special environment is a memory surface with special characteristics.
You try to pull away the experiences until you get to the core of humanity, and you find that light that exists in everybody. It's that light that I'm searching for in all of my work - is that connective thing, that ether that enters all of us - you know what I mean? That's a part of God.
Writing enters into us when it gives us information about ourselves we are in need of *at the time that we are reading.* How obvious the thought seems once it has been articulated! As with love, politics, or friendship: readiness is all.
See how the light tenderly love the apricots, it takes them over completely, enters into their pulp, light them from all sides! But it is miserly with the peaches and light only one side of them.
You see shape, and how the light hits things, how the color changes from one end of the photo to the other, and how movement affects the mood of the photo.
Even now, a year later, people ask me about the Wheelchair Photo: what do I think about it? Does it bother me? The honest answer: I don't think about it. I glanced at the photo once, about a week after the bombing. I knew immediately I never wanted to look at it again.
A mistake is not something to be determined after the fact, but in the light of the information until that point.
What has the Cross left in each of us? You see, it gives us a treasure that no one else can give: the certainty of the faithful love which God has for us. A love so great that it enters into our sin and forgives it, enters into our suffering and gives us the strength to bear it. It is a love which enters into death to conquer it and save us.
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