A Quote by Noelle Stevenson
I am very interested in female characters and bringing a new perspective to mediums where not necessarily that's been valued at all.
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It's a fact, the majority of films in Hollywood are from the male perspective. And the female characters, very rarely do they get to speak to another female character in a movie, and when they do it's usually about a guy, not anything else. So they're very male-centric, Hollywood films, in general. So I think it's incredible that Ned Benson, when I said I'd love to know where she goes, says okay, I'm going to write another film from the female perspective.
I can't imagine writing a book without some strong female characters, unless that was a demand of the setting. I actually tend to suspect that in real life, there have always been very strong female characters, but at certain stages of society, they've been asked to cool it.
Are we asking terribly much of people to be curious and interested in the female experience from the female perspective?
Even while I'm really interested in playing female characters that are varied and interesting and dynamic, I'm not of the mind that you always want to play strong female characters. I think I just want to play characters that are interesting, and not all people are 'strong.'
We're showing kids a world that is very scantily populated with women and female characters. They should see female characters taking up half the planet, which we do.
I am not one to go for traditional female roles, because I don't think traditionally female characters are very interesting, and I don't think they represent real life.
I have things that I'm interested in, and I'm not really interested in writing about anything that I'm not interested in. But it's important to me to be able to see it from a different perspective, and add something new to the whole picture.
I'm a woman, and I'm interested in writing stories from a female perspective.
I am very interested in bringing companies from everywhere to sell their products in China.
I always look to play flawed characters. I'm not very interested in playing somebody that's just, you know, the very nice one or the attractive one, or whatever, which a lot of female parts can just be written that way.
I don't have a preference for bad people, no. I have an interest in playing a broad range of characters. Obviously, I'm mostly identified with a character who is very responsible, very solid and very intelligent, but there are plenty of questionable characters in my past career. I'm interested in exploring theatricality and characters with some dimension.
I am certainly proud to add 'Korra' to the pantheon of TV characters, which is perpetually sorely lacking in multifaceted female characters who aren't sidekicks, subordinates or mere trophies for male characters.
Gustave Flaubert said, "Emma Bovary, c'est moi." It is not possible to write something you are not, but to have a new form, with a different hair color and a new body ... I do very little of that. That's why I keep bringing up the same people. I haven't given myself a hard time about it. But I can't make six new characters instead of one.
We've been pretty successful over the years, not necessarily adding series regulars, but just bringing long-term recurring characters. In my opinion, it's sort of like as life goes, you have people that come in and out of your life.
I think as men begin to see things that address them, they will feel that they can relate. They can't relate to 'Basketball Wives,' 'Housewives of Atlanta.' I am not judging or criticizing those shows at all; what I am saying is the perspective is not necessarily the male perspective. 'Iyanla: Fix My Life' is inclusive of everyone.
It is such a joy to join a legacy of amazing female playwrights who have managed to break through the glass ceiling and reinvigorate the Broadway stage by bringing a fresh and necessary perspective.
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