A Quote by Ntozake Shange

I was chastised for writing several obituaries for Malcolm X, exploring different aspects of his writing. One teacher in particular told me, didn't I think I was beating a dead horse? and dismissively threw my paper on my desk.
I think there are several aspects of our marraige we're going to have to work on." "Babes," he told her. "You're dead." "That's one of those aspects, obviously.
Writing is not a job or activity. Nor do I sit at a desk writing for inspiration to strike. Writing is like a different kind of existence. In my life, for some of the time, I am in an alternative world, which I enter through day-dreaming or imagination. That world seems as real to me as the more tangible one of relationships and work, cars and taxes. I don't know that they're much different from each other.
I've been having a lot of fun exploring different aspects of filmmaking, like writing and producing. There isn't a specific plan and I usually don't know what's going to be the next thing I do.
What I hope my writing reflects... is a sense of the connections between all human beings... and a different perspective on the true nature of courage. For me, those are things worth exploring and writing about.
I would not see our candle blown out in the wind. It is a small thing, this dear gift of life handed us mysteriously out of immensity. I would not have that gift expire... If I seem to be beating a dead horse again and again, I must protest: No! I am beating, again and again, living man to keep him awake and move his limbs and jump his mind... What's the use of looking at Mars through a telescope, sitting on panels, writing books, if it isn't to guarantee, not just the survival of mankind, but mankind surviving forever!
When I'm writing, I'm writing for a particular actor. When a lot of writers are writing, they're writing an idea. So they're not really writing in a specific voice.
Being a librarian certainly helped me with my writing because it made me even more of a reader, and I was always an enthusiastic reader. Writing and reading seem to me to be different aspects of a single imaginative act.
In fiction writing, I would say there are several different strands that have been woven through my own writing, and each influenced by a different group of writers.
Dakota tribal wisdom says that when you're on a dead horse, the best strategy is to dismount. Of course, there are other strategies. You can change riders. You can get a committee to study the dead horse. You can benchmark how other companies ride dead horses. You can declare that it's cheaper to feed a dead horse. You can harness several dead horses together. But after you've tried all these things, you're still going to have to dismount.
I'm always writing. A friend of mine once said, 'You avoid re-writing by writing.' Which is kind of a good point, because re-writing seems to be mostly about craft, and writing is just, like, getting out your passion on a piece of paper.
Every writing teacher I ever had except for one told me I was an awful writer, had no idea what I was doing, and should stop immediately. It only took the one to tell me something different to light a fire under me.
I always say that I'm an artist who works with pictures and words, so I think that the different aspects of my activity, whether it's writing criticism, or doing visual work that incorporates writing, or teaching, or curating, is all of a single cloth, and I don't make any separation in terms of those practices.
I approach writing a poem in a much different state than when I am writing prose. It's almost as if I were working in a different language when I'm writing poetry. The words - what they are and what they can become - the possibilities of the words are vastly expanded for me when I'm writing a poem.
The desk thing is a problem for me. The ideal one would be vast and perfectly clear. Yet the bane of the biographical existence is paper; if you're 'an artist under oath' you're writing from a mountain of documentation.
I like writing and I enjoy it. It's painful. You can't get around the pain of writing. I'm still trying to balance on what I think is my creative habit. It varies, but I do know that I need to continue. It helps me with my acting, and the writing helps me be invested in a different way.
I like writing, and I enjoy it. It's painful. You can't get around the pain of writing. I'm still trying to balance on what I think is my creative habit. It varies, but I do know that I need to continue. It helps me with my acting, and the writing helps me be invested in a different way.
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