A Quote by Nuno Bettencourt
I definitely get affected by new stuff. There's a lot of older influences, but there's also newer stuff too.
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People go back to the stuff that doesn't cost a lot of money and the stuff that you don't have to hand money to over and over again. Stuff that you get for free, stuff that your older brother gives you, stuff that you can get out of the local library.
I've got this thing where I always kind of diss the older stuff and favor the newer stuff. I mean, it's not just my thing; every artist or musician is like that, I guess.
When you play the bars, you pay your dues. It does matter that you know those things [songs]. And the great thing for me, too, is that I draw on that stuff as influences. It's also stuff that you put in the tank that you pull from to make records.
My ears are open to all sorts of stuff. I appreciate some of the big electro house guys.I love their music but I also like a lot of the stuff coming out of the U.K. Future garage stuff. A lot of stuff like that.
When I was in seventh grade, I totally had a crush on a guy who was older than me, and he listened to alternative music. So he was into Days of the New and stuff like that, and more poppy stuff, too, like Matchbox Twenty.
I definitely write about a lot of dreamy, surreal stuff. I do end up going to a surreal world with my music, but I also like the idea of there being really real stuff as well.
A lot of the stuff I was on 'All Stars,' it wasn't new, it was all stuff out of my closet and stuff that I made myself.
You don't appreciate a lot of stuff in school until you get older. Little things like being spanked every day by a middle-aged woman: Stuff you pay good money for in later life.
I guess my music taste is pretty predictable: I like new indie rock stuff, older stuff.
I love playing our older songs along with newer ones but If all I have is my old stuff, I quit. Creating is more rewarding.
I think Coran Capshaw is such a brilliant entrepreneur and he always thinks about new stuff; the biggest stuff you can imagine. I know he's working on a lot of things for me at the moment, and I think it will definitely help my career to go to the next level.
I'm a huge fan of anything Ed Brubaker does. A lot of his 'Daredevil' stuff. A lot of his creator-owned stuff, too. His 'Criminal stuff,' I'm really into.
I have that love for music, when you are finding either old gems that you never heard or newer stuff that perks your ear. It keeps you trying to look for new stuff to write about it. You don't spin your wheels. I take that same approach to music and books.
But I'd play on everything from pop records to a lot of the glam stuff to rock stuff to classical stuff. I used to get called to do all those things, it was great.
We also have a lot of the same influences - we both read a lot of the beatniks. And yet what we actually do is almost exactly the opposite. His [ Hunter S. Thompson] political stuff is just wonderful, but basically nothing happens.
Everyone told me, "Don't ever talk about international stuff," and "Don't do long-form content online," and "Don't get too serious in news," and "Don't be too heavy" - all this stuff, all the rules. But we broke the rules, and that, ironically, has led to some of our most successful stuff.
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