A Quote by Obie Trice
I think I learned the most from Eminem because I spent the most time with him in the studio. Going to L.A. with Dre was a learning experience, just seeing how the dude works and being up-close and personal with a dude whose music I appreciated growing up.
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I wonder what the most intelligent thing ever said was that started with the word 'dude.' 'Dude, these are isotopes.' 'Dude, we removed your kidney. You're gonna be fine.' 'Dude, I am so stoked to win this Nobel Prize. I just wanna thank Kevin, and Turtle, and all my homies.'
I got 'Power' on my own through my agent and my team. I didn't know 50 until I got on the show. Because my character is so close to his, we spent a lot of time as friends. But even in that, I didn't really bring up music to him because I saw how everybody else was bringing up music to him.
I kind of grew up a guitar nerd and I tried to figure out how to shred on an acoustic guitar as a kid, while listening to jazz or whatever. So that is kind of a different thing and my church background, growing up with worship kind of the ground that I learned how to play music from. Those are all odd ways of growing up, compared to most people, so I think the music has plenty of uniqueness in that.
Music has always been something I wanted to do. I think just the idea of performing and entertaining and being in the studio is really what I wanted to know how that felt. I started to get into it around the same time I got into acting, but it turned into a side project because my movies were taking up most of my time.
We just met for the first time and David Byrne was like, "Hey, you want to sing on this song?" and I was like, "Yes, I do want to sing on that song." He's the most legendary dude but I wasn't thinking about how he was a legend when rehearsing. I was just thinking, "Wow, this guy really knows what he wants in his music." And that ended up being the vibe, like "Oh, you wanna try that?" "Yeah, that sounds great!"
Growing up, I didn't know anything about comedy and didn't know anything about comedians or what standup was. I grew up in the projects with no dream of anything, it was in my formatting when i got older and started talking to my friends about how I felt, they would be like, "dude, that's funny." Then one day my friend was like, "Dude, you don't understand how funny you are, you need to do standup"!
Being in the space that I am as a writer, and just as a black dude in America, there's this push to be cool or be what you're expected to be. There's a need for a song that puts that in perspective. I think that's an important thing for young children to hear growing up.
One of the things I've had the advantage of, growing up and being close to the top management of this company and other companies for most of my life, is seeing how CEOs start to believe in their own infallibility. And that really scares me.
The filmmakers that I studied and appreciated growing up are the ones that are able to dictate their vision clearly to each department, and they know the language of how to communicate with each department well enough, so that their vision is clearly transferred to the screen. So I like to spend time on sets learning from all of the departments and seeing how they approach their jobs. It's not just filmmakers, you know? There's so many mediums involved. I love learning about all of the mediums.
My personal opinion is, how, if you never hung out with somebody, do you know them so well? I never hung out with that dude because the dude is a weirdo.
One thing I learned about Tech N9ne is just hard work. That dude don't sleep. I ain't ever seen this dude really sleep.
By the nature of the sport and the danger we face daily, we are very close knit. Some of us have spent most of our lives together. To give you an example, having spent two decades sitting next to Richard Johnson and seeing him virtually every day, I have probably spent more time with him than I have my family, and he the same.
In my comedy, I'm not always trying to say something, but when I'm playing a creepy dude, you're laughing because you know that creepy dude. You've heard that dude say something awful, and I'm just putting a little creative spin on it.
Most of the time for me, you're learning what not to do, as opposed to what to do. You never know what to do. I don't, especially in a work environment. You have a little formula yourself. But when I see a director do something I think, whatever he or she just said totally screwed that actor up and now they're worse. I'm never going to do that. I'm going to figure out something else. I want my movie to be good. And that's how it works.
You look at somebody like Thurston Moore. Is he a noise dude? A punky dude? Is he a free jazz dude? He's a stimulation chaser, and I relate to that.
I guess, in a way, I grew up mixed race: half white, half black. That question's always been on my mind: 'What are you? Are you this or that? Are you a white dude or are you a black dude?' In a strange way, music and comedy is kind of the same thing. I'm both.They're just different modes of expression.
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