By bringing current events into the classroom, everyday discussion, and social media, maybe we don't need to wait for our grandchildren's questions to remind us we should have paid more attention to current events.
By bringing current events into the classroom, everyday discussion, and social media, maybe we don’t need to wait for our grandchildren’s questions to remind us we should have paid more attention to current events.
If you look at photojournalism, it's largely driven by current events... always chasing a crisis or disaster. I follow a narrative that is much looser than current events.
I'm fascinated about how past events shape our perception of current events and how they make us the people we are.
Reporters are not paid to operate in retrospect. Because when news begins to solidify into current events and finally harden intohistory, it is the stories we didn't write, the questions we didn't ask that prove far, far more damaging than the ones we did.
History is the fiction we invent to persuade ourselves that events are knowable and that life has order and direction. That's why events are always reinterpreted when values change. We need new versions of history to allow for our current prejudices.
Inspiration is really all around us. I pay attention to a lot of different fields. I stay up on current events. I go to community meetings to see what concerns the people in my neighborhood. Paying attention to social interactions offline really inform interactions online. The real world is a bottomless source of inspiration for what you can build.
I'm very lucky, because my beat is current events. And events are changing all the time.
There is much to be said in favor of modern journalism. By giving us the opinions of the uneducated, it keeps us in touch with the ignorance of the community. By carefully chronicling the current events of contemporary life, it shows us of what very little importance such events really are. By invariably discussing the unnecessary, it makes us understand what things are requisite for culture, and what are not.
I come from a newspaper background, so maybe I'm attuned to current events.
I want my work to become part of our visual history, to enter our collective memory and our collective conscience. I hope it will serve to remind us that history's deepest tragedies concern not the great protagonists who set events in motion but the countless ordinary people who are caught up in those events and torn apart by their remorseless fury. I have been a witness, and these pictures are my testimony. The events I have recorded should not be forgotten and must not be repeated.
I come from a newspaper background, so maybe Im attuned to current events.
"Little Brother" sounds an optimistic warning. It extrapolates from current events to remind us of the ever-growing threats to liberty. But it also notes that liberty ultimately resides in our individual attitudes and
actions. In our increasingly authoritarian world, I especially hope that teenagers and young adults will read it - and then persuade their peers, parents and teachers to follow suit.
It is a fact of history and of current events that human beings exaggerate, misinterpret, or wrongly remember events. They have also fabricated pious fraud. Most believers in a religion understand this when examining the claims of other religions.
My contention is that most students get distracted by music and social media because our current state of education is not sufficiently engaging to command their full attention.
When I am working on a painting, everything that I am thinking about at the time - be it current events, the books I am reading, personal events, influences, emotions, etc. - all find their way into my work.
The Zhuangzi is very good on telling us how the nonhuman-made world can enter into who we are more deeply than at the level of answering to our current interests. If the environment can shape who we are, it can shape our very interests, leading us to recognize things, events, and processes that are of genuine value and that we have not previously recognized as such.