A Quote by Odeya Rush

It was so hard to watch myself back because whatever movie I do, I never look at the monitor. I hate looking at the monitor. — © Odeya Rush
It was so hard to watch myself back because whatever movie I do, I never look at the monitor. I hate looking at the monitor.
I don't go back and look at the monitor between every take; I wait until I feel like we finally got it right: "Let me stop and look at that last one on the monitor."
They use those monitors now, and sometimes you'll be doing a shot and then suddenly you see yourself on one of those monitors, and I always say turn the monitor round, I don't want to see myself on the monitor. I never see myself 'til the movie's finished.
Unfortunately, I am very aware of editing and I look at the monitor too much. Sometimes the monitor can become your worst enemy because you can, consciously or unconsciously, start editing yourself.
I never go to the monitor. I just look at the camera monitor and my favorite part of all of the directing, except for the writing and editing of it, is right when we're rolling and they do lines and I'll say "Try this, try this, try this."
You get some directors, and I can never understand it - there's a thing they call the 'video village' where all the monitors are, and you've probably seen it on set visits - I hate that! I never, ever like sitting in video village. I get either my own monitor or a hand held monitor, and I stand right by the camera.
You don't tell a player you can't monitor your investments for a month. There's no way you're going to have a billion-dollar investment and never fail to monitor it for a period of time.
Wow, monitor lizards are pretty gnarly creatures. I want to go with the monitor lizard. That's just weird enough to be true. No?
Every time I look through the lens with Denzel, I'm like a 12-year-old kid. It's hard for me to look at the monitor because the fun is in watching him.
It's really hard not to fall into that trap of insecurity when you're a model. Beforehand, I never looked at myself in a huge monitor with 30 people around it every day.
I have always felt that doing too much of homework makes the performance look plastic. I don't even watch the monitor after I finish my scene because I can't reprise it. I just go with the flow.
Our problems are solvable if they are clearly defined. To do so, we need to monitor our planetary life support systems the way doctors monitor a patient's vital signs and then use that information to protect ecosystem services as though our lives depend on it, because they do.
I have an ear monitor to block outside noise when I'm performing. It makes it easier. But sometimes I like to take the ear monitor off and listen to the craziness going on.
I think we have to monitor our minds the way we need to monitor our bodies.
When i've done camera test, after we've shot and I've seen the monitor with the glasses (wearing a Kimono) and looking by myself in 3D. Oh my god. Especially for a Samurai film. I've never seen that. It's kind of a culture shock.
If I didn't have the reverb I'd be an unhappy camper. So I want reverb in my monitor mix. Reverb and a good level in my monitor and I'm all set.
I am sure that there is a lot more going on in the objective real world than we can monitor with our five senses. I think dreams allow us to engage with the real world and monitor the way it is acting on us.
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