A Quote by Audra McDonald
When I first was exposed to 'Porgy and Bess' many, many years ago, I was blown away by it - loved the music, overwhelmed by the production at the Met that I saw, and thought I want to play Bess someday. But I also knew they were stereotypes that were considered racist.
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I was a dancer for many years. I was a premier dancer with 'Porgy and Bess,' the opera. And I taught dance some, in different places.
When you realize that the uncut 'Porgy and Bess' started me off, that I'd have the opportunity to do a ton of 'Stoppard,' 'Hairspray,' that I'm able to do 'Il Trittico' at the Met - how do I top that?
I wish I had come along when the studios were making those big musical pictures. It would be great to do re-makes of some of the old ones like 'Porgy and Bess' or 'Showboat.' I'd love to do 'em.
'Porgy and Bess' has never been thought of as a dance show, and yet it's filled with dance. It uses dance to punctuate the action, or as background, or as atmosphere; even when it's front and center, it isn't crucial.
I've been really fortunate to do several shows on Broadway; the longest run I've done is nine months, and that was 'Porgy and Bess.' The shortest run I've done was about a month and a half: my first Broadway lead in 'The Scottsboro Boys.'
It would be easier to say, what was the difference in style from many years ago. Many years ago, the old violinists, they also had a good technique, they were not tonally as good.
I weave the company into what we laughingly call 'Jack's novel.' I write this novel for them about who they are and what's going on in their world. When I had 90 people in 'Porgy and Bess,' each had a story, history and family relationship.
I don't look upon my divorces as mistakes. Those marriages were right for the Bess that made that decision at that time.
When I started off many years ago, I made a determination that there were certain roles I didn't want to play.
There were the physical challenges of hitchhiking across Turkey, Iran, Afghanistan, and Pakistan as they were quite dangerous areas. I wrote about that in The Journey Home. I loved my family and they loved me, so making a choice so completely different from the life they knew was also a challenge. Not having material possessions or the security of a home and taking vows of celibacy for life were kind of natural for me, although they were also challenging. But I guess the greatest challenge for me was that I loved so many different spiritual paths.
When Sondheim was visiting the Library of Congress, where the manuscript of 'Porgy and Bess' is housed, he was so overcome with emotion while holding the score in his hands that he shed a tear. He shed several tears, but one of the tears actually fell onto the original manuscript. And he was horrified.
I first found delight in the Sabbath many years ago when, as a busy surgeon, I knew that the Sabbath became a day for personal healing. By the end of each week, my hands were sore from repeatedly scrubbing them with soap, water, and a bristle brush. I also needed a breather from the burden of a demanding profession.
Americans in the Civil War period were very interested in Heaven and what it might be like, because they were having to face the fact that many of their loved ones were gone and many of their loved ones, they hoped, were in this other realm called Heaven.
We never considered ourselves to be a good band or anything, we just thought we were playing for fun and we wanted to play music that sounded like Black Sabbath or Soundgarden or the music we were into at that time.
All the music I loved as a child, people thought it was junk. People were unaware of the subtext in so many of those records, but if you were a kid, you were just completely tuned in, even though you didn't always say - you wouldn't dare say it was beautiful.
All the music I loved as a child, people thought it was junk. People were unaware of the subtext in so many of those records but if you were a kid you were just completely tuned in, even though you didn't always say - you wouldn't dare say it was beautiful.
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