A Quote by Audra McDonald
I loved my time doing 'Private Practice' in Los Angeles, and I was quite challenged and excited to learn about the art of television, but I missed being on the stage.
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Sprawl is the American ideal way to develop. I believe that what we're developing in Denver is in no appreciable way different than what we're doing in Los Angeles - did in Los Angeles and are still doing. But I think we have developed the Los Angeles model of city-building, and I think it is unfortunate.
I don't live in Los Angeles. I work in Los Angeles, and even that - I audition in Los Angeles; I very rarely film in Los Angeles. I don't hang out with producers on my off-hours, so I don't even know what that world is like.
In 1983, I was working at an art gallery in Los Angeles and going to film school at Los Angeles City College. At that time, Jean-Michel Basquiat was a young painter and was visiting L.A. for his first show at the Larry Gagosian Gallery.
I really enjoy doing sitcom television. It allows me to stay in Los Angeles and spend more time with my husband and kids.
Well, this week for example, I was just in Los Angeles making a documentary for German television on whales. They had tried to get me in England where they missed me.
I wasn't really excited about doing television, to be quite honest.
One of the interesting things about Los Angeles is that it's still supplying the whole of the world with its dreams through movies and songs and TV - often of an all-American family at the same time as the real Los Angeles is peopled by souls from Vietnam, Guatemala, and Korea who look nothing like the images being beamed out. I think all that is going to have to change and illusion is going to have to catch up with reality in that regard.
I`ve not really been angling to be a comedian. I knew comics and I loved them and I loved being funny, but I didn't understand the whole concept of becoming one. My first couple of times on stage, I was like, "This is what I'm doing for sure." I was so excited.
I love Los Angeles, and I've secretly always wanted to do a song about Los Angeles, but it's a hard thing to pull off.
I came to Los Angeles and did auditions for television. I made a terrible mess of most of them and I was quite intimidated. I felt very embarrassed and went back to London. I got British television jobs intermittently between the ages of 23 and 27, but it was very patchy.
I've become convinced that Los Angeles is going to become the next contemporary art capital - no other city has more contemporary gallery space than Los Angeles. We've come into our own, finally.
When I wrote 'Dopamine,' I was so enamored by Los Angeles and finally making music I was really excited about.
I made a conscious effort to focus on television so I could stay in Los Angeles, so I wasn't on a location all over the world doing movies.
I am proud to be in Los Angeles. I have a lot of fans that love me here. When you talk about the Meccas of boxing - Las Vegas, New York - now you have to talk about Los Angeles.
There's great stuff out there, but I prefer doing a TV show, going to work every day with the same people, and a lot of stuff is not being shot in Los Angeles and I don't really want to do that because my loved ones are here.
Los Angeles, give me some of you! Los Angeles come to me the way I came to you, my feet over your streets, you pretty town I loved you so much, you sad flower in the sand, you pretty town!
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