A Quote by Olafur Eliasson
Ive walked a lot in the mountains in Iceland. And as you come to a new valley, as you come to a new landscape, you have a certain view. If you stand still, the landscape doesnt necessarily tell you how big it is. It doesnt really tell you what youre looking at. The moment you start to move the mountain starts to move.
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I've walked a lot in the mountains in Iceland. And as you come to a new valley, as you come to a new landscape, you have a certain view. If you stand still, the landscape doesn't necessarily tell you how big it is. It doesn't really tell you what you're looking at. The moment you start to move the mountain starts to move.
Beast Mode doesnt make excuses. It doesnt complain. Whatever youre doing, go out there and get it done. Keep pushing. If I have a bad game, I think about what I have to do to return to form. Figure it out, go to sleep, and wake up a new man.
The cosmic humor is that if you desire to move mountains and you continue to purify yourself, ultimately you will arrive at the place where you are able to move mountains. But in order to arrive at this position of power you will have had to give up being he-who-wanted-to-move-mountains so that you can be he-who-put-the-mountain-there-in-the-first-place. The humor is that finally when you have the power to move the mountain, you are the person who placed it there--so there the mountain stays.
If you've ever tried to move from L.A. back to New York, that's a pretty hard move. You forget how cramped things are in New York. You forget how dirty it is in New York. But, it's been the best move of my life, not necessarily for my career, but for my soul.
I think a lot about how ideas spread, how information spreads, why is it that something youre really proud of and you spend a lot of time creating sometimes doesnt go anywhere, and something that you kind of do on the side, on a lark, ends up getting shared and passed around and having this big impact.
In Iceland, you can see the contours of the mountains wherever you go, and the swell of the hills, and always beyond that the horizon. And theres this strange thing: youre never sort of hidden; you always feel exposed in that landscape. But it makes it very beautiful as well.
Grief is like a long valley, a winding valley where any bend may reveal a totally new landscape.
We're living in a tremendously new landscape, and the possibility of what can be created is immense. These tools of the moving image have a relatively short history in art, and what we can do with them is still largely unknown. We are still innovating and finding ways to tell stories.
It doesnt matter who is playing or how old they are. I just worry about what I can control. It doesnt give me more or less motivation.
It doesnt matter if youre black, white, gay, straight, come from different countries, different language... every single person is significant and is meaningful.
And were my faith so strong that it could move mountains, that is the mountain that I would make come to me.
If you tell the story emotionally in a truthful way, then you start naturally looking at the landscape and thinking "Wow, we have to watch out."
Id be lying if I said Hollywood wasnt still an ambition; its everyones, isnt it? Youre getting paid very well, youre working with great actors and great directors - who wouldnt want to be a part of that? But its not going to break my heart if it doesnt happen. This business is about doing good work rather than how famous it makes you.
You know how mountains get moved? Everyone who can move a couple, move a couple. Those who can move rocks, move rocks. Those who can move boulders, move boulders. That's how mountains get moved. If every one of us did everything we could, I believe we would be in a different world.
We do want the freedom to move scenes from episode to episode to episode. And we do want the freedom to move writing from episode to episode to episode, because as it starts to come in and as you start to look at it as a five-hour movie just like you would in a two-hour movie, move a scene from the first 30 minutes to maybe 50 minutes in. In a streaming series, you would now be in a different episode. It's so complicated, and we're so still using the rules that were built for episodic television that we're really trying to figure it out.
Every piece of music is a form of personal expression for its creator...If a work doesnt express the composers own personal point of view, his own ideas, then it doesnt, in my opinion, even deserve to be born.
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