A Quote by Alden Ehrenreich
Whenever you hear somebody else is auditioning for something, you sort of assume they're going to get it. You should try to just ignore it.
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Whenever you hear somebody else is auditioning for something, you sort of assume they're going to get it. You should try to just ignore it. I don't find it very helpful to know who else is going up for stuff, generally.
There is something about me that is collaborative, that wants to get the best performance out of somebody else or to hear something that somebody else has done that's good and to try and make it great.
Whenever I sat down to write something it was never anything I took lightly. It was something that I'd want you, somebody in Japan, and somebody [over there to hear it].
Well we usually just try to do a mix from all the albums so if somebody just has one they don't get bummed out that they don't hear anything from that record, then a couple songs you'll only hear live. Just kind of wing it you know? And sometimes on a tour you'll get with a set-list you like and you kind of just stick with that.
If Martin Luther King, Roy Wilkins or any of these compromising Negros who say exactly what the white man wants to hear is interviewed anywhere in the country you don't get anybody to offset what they say. But whenever a black man stands up and says something that white people don't like then the first thing that man does is run around to try and find somebody to say something to offset what has just been said. This is natural but it is done.
Whenever there's active promotion on the part of somebody else, whenever I see somebody all dolled up for a fancy photograph and someone's handing out flyers or whenever there's active promotion for something like that, as an imposition on my day, I hate all those people and I want them to fail. I have a visceral reaction to advertising and promotion. There's just something about salesmanship that grates on me on a very base level and I react very negatively towards it. I want those people to suffer and I want their enterprises to fail.
Don't get roped into talking about something that you don't really have passion for, and don't get roped into something you don't have expertise in. Why should somebody listen to you? If you're going to take somebody's time, you better deliver.
As long as people are marginalized and distracted [they] have no way to organize or articulate their sentiments, or even know that others have these sentiments. People assume that they are the only people with a crazy idea in their heads. They never hear it from anywhere else. Nobody's supposed to think that. ... Since there's no way to get together with other people who share or reinforce that view and help you articulate it, you feel like an oddity, an oddball. So you just stay on the side and you don't pay any attention to what's going on. You look at something else, like the Superbowl.
There's acting, and then there's auditioning; mastering auditioning is sort of the first thing an actor really needs to nail down when he or she wants to get a part.
There will be a few times in your life when all your instincts will tell you to do something, something that defies logic, upsets your plans, and may seem crazy to others. When that happens, you do it. Listen to your instincts and ignore everything else. Ignore logic, ignore the odds, ignore the complications, and just go for it.
Don't try to be somebody you're not because it doesn't work. If you try to be this perfect person or perfect persona of what you think that somebody should be when they're involved in public office, it's just not going to work. Just be yourself, stay true to your core values, and really just stay abreast of the issues.
You see something or hear a sound, and there you have everything just as it is.
[...]
Whatever you do, it should be an expression of the same deep activity. We should appreciate what we are doing. There is no preparation for something else.
I sort of got into Westerns... It was a sort of desperation move, really. I had several pictures that didn't go very well, and I just realised that I would have to try something else.
Whenever I work on something, I try and throw everything I have at it. Then if the director finds it useful they use it, and if not, they ignore it!
For me, I think it's such an important thing to hear other people's stories, because you do find ways that either you can learn something from them, or you can identify with something that they've gone through. You realize that maybe what you're going through in life isn't just specific to you, that somebody else understands it, or you talk to someone and all of sudden you see something in a completely different way because of what they've said to you or shared with you.
Be undeniably good. When people ask me how do you make it in show business or whatever, what I always tell them & nobody ever takes note of it 'cause it's not the answer they wanted to hear-what they want to hear is here's how you get an agent, here's how you write a script, here's how you do this-but I always say, “Be so good they can't ignore you.” If somebody's thinking, “How can I be really good?” people are going to come to you. It's much easier doing it that way than going to cocktail parties.
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