A Quote by Olivia Colman
You see thousands of films you forget the minute you come out of the cinema, don't you? Because they don't mean anything. It's the tough ones like 'Breaking the Waves' and 'Nil By Mouth' that stay with you, that you never forget. I'd like to leave a few of those behind if possible.
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When I have sex with someone I forget who I am. For a minute I even forget I'm human. It's the same thing when I'm behind a camera. I forget I exist.
Forgotten? No, we never do forget:
We let the years go: eash then clean with tears,
Leave them to bleach, out in the open day,
Or lock them careful by, like dead friends’ clothes,
Till we shall dare unfold them without pain,—
But we forget not, never can forget.
Our adversaries, however, are doomed because we will never forget who we are. And if we don't forget who are, we just can't be beaten. Americans will never forget. The nations of Europe will never forget. We are the fastest and the greatest community. There is nothing like our community of nations. The world has never known anything like our community of nations.
I like the idea of doing a little movie every week. When you do a movie, you don't know when it's going to come out. In a year, you forget about it. I forget stories that happened on set. I forget who I worked with. I forget my lines, my characters' names. This is so fresh. We make it, and it's on TV. It feels more like a living, breathing thing.
But when I played Woodstock, I'll never forget that moment looking out over the hundreds of thousands of people, the sea of humanity, seeing all those people united in such a unique way. It just touched me in a way that I'll never forget.
I'm coming from an artistic background, from Europe, making films with Lars Van Trier like 'Breaking the Waves,' 'Dancer in the Dark,' all his films, 'The Kingdom.' But I like both, I like the totally artificial, commercial films where the actor has five or six bodyguards, I like that.
As a striker, your job is mostly to forget. When you have someone like Vidic marking you, and it's misery for 89 minutes, all you have to do is forget everything. Forget the 89 minutes. Because in the 90th minute, you might finally get your chance. I have been pretty good at this in my career.
You have to take all the ups and downs that come your way like a pinch of salt. Just leave everything behind. Forgive and forget.
Forget the grand plan. Forget the master scheme. Forget control. That is the bleak but true basis of independent cinema. Inch by motherfuking inch we must, because we have no other choice.
We forget all too soon the things we thought we could never forget. We forget the loves and the betrayals alike, forget what we whispered and what we screamed, forget who we were.
I would like to use this little flower as a metaphor. The five petals of the little forget-me-not flower prompt me to consider five things we would be wise never to forget....first, forget not to be patient with yourself...second, forget not the difference between a good sacrifice and a foolish sacrifice...third, forget not to be happy now...fourth, forget not the why of the gospel...fifth, forget not that the Lord loves you.
I don't think anything about a personal legacy. I mean, those words would never come out of my mouth unless I just repeated them. Those things have never been important to me.
Forget the image, forget the ensemble, forget the rumours, forget the short skirts, the big hair, whatever! I owe this to the fans and I will never forget you so I want to accept this award on behalf of all of you.
When kids look at broccoli, they call it 'little trees,' because they see it not just for the word 'broccoli.' They see it for what it looks like, the image. We, as adults, forget to think like that. We forget to think figuratively and have to be reminded.
The minute I know it's real to the minute we start shooting, I will work on the script, breaking it down and working on the character, doing as much research as I possibly can to the point where I feel like I eat, sleep and breathe it without looking at a page. Then I go in and try to forget all of it and just be there.
When we look at the flowers, we suddenly forget so many important things. We forget that all flowers die. We forget that winter will come again. We forget that nothing really endures and that, like the flowers that die at the end of the growing season, we'll join them in the cold ground.
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