A Quote by Olly Alexander

We could perform in space or be the first band to play moon, but we want to be the first 'Star Wars' band. — © Olly Alexander
We could perform in space or be the first band to play moon, but we want to be the first 'Star Wars' band.
One day I would love to do rock a gig on the moon - how rad would that be? Isn't Richard Branson flying planes to outer space? Mötley Crüe could be the first band to play on the moon.
One day I would love to do rock a gig on the moon - how rad would that be? Isn't Richard Branson flying planes to outer space? Motley Crue could be the first band to play on the moon.
As a card-carrying space nerd and NASA's chief scientist, I love space movies, from 'Star Trek' to 'Star Wars' to my all-time favorite - 'The Dish', an Australian comedy that celebrates that first moment when Neil Armstrong stepped down onto the surface of our moon.
It was my band. I organized the band and Dizzy was in the band. Dizzy was the first musical director with the band. Charlie Parker was in the band. But, no, no, that was my band.
'Star Wars' is life, but 'Star Wars' is also not very good, which is why 'Rogue One' - a Frankenstein's monster assembled from a butchered first cut and an excessively large space antenna that only exists to add another 30 minutes to the film - is one of the better 'Star Wars' movies.
The most significant bands I played in when I first got to New York were Bobby Watson's band, Roy Hargrove's first band, Benny Golson's band, Benny Green's trio, and probably the most significant out of all of those, for me personally, was playing in Freddie Hubbard's band.
My first job was in a Bohemian polka band, the Rejcek family polka band in Abbott. The old man in the band had another blacksmith shop in Abbott, but he liked me. All he had was horns and drums, and I was set up over there with my little guitar with no amps or nothing. I would play as loud as I wanted to, and nobody could hear me.
I got my first set of drums when I was around 3. I went from band to marching band to Latin jazz band - it's like riding a bike.
When I was in high school, The Dave Matthews Band was a local band, and that was the first time I was starting to connect with a live band that was something that wasn't on the radio or TV.
It was by listening to Goodman's band, that I began to notice the guitarist Charlie Christian, who was one of the first musicians to play solos in a big band set-up.
For starters, I should just tell you that The Band was always my favorite band from the first moment that I heard the first note of "The Weight" on WNEW radio. It was when I was eight years old and Music From Big Pink came out. They were my favorite band always. They had a profound influence on me and on my becoming a musician.
The movie I've seen the most times, boy, that's a tough one. It would have to be a toss-up between Apocalypse Now and the first Star Wars. I think the first Star Wars.
When I heard the Pixies for the first time, I connected with that band so heavily I should have been in that band - or at least in a Pixies cover band.
When we first met, I was trying to put a band together. I asked around at school for other guys who wanted to play in a band. Someone told me about a juvenile delinquent they knew who played bongos.
I do not want and will not take a royalty on any record I record. I think paying a royalty to a producer or engineer is ethically indefensible. The band write the songs. The band play the music. It's the band's fans who buy the records. The band is responsible for whether it's a great record or a horrible record. Royalties belong to the band. I would like to be paid like a plumber. I do the job and you pay me what it's worth.
My first contract was in 1965. There were six of us in this band - my band before Deep Purple - six in the band plus management, and the entire royalty rate was three-fourths of 1 percent.
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