A Quote by Olga Tokarczuk
I create doubt in the reader's mind. That is what literature is for: to provoke, to raise doubts, to talk about things that are not obvious.
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Characters who are absolutely sure about what they do, who plunge ahead without fear, are not that interesting. We don’t go through life that way. In reality, we have doubts just like everyone else.
Bringing your Lead’s doubts to the surface in your plot pulls the reader deeper into the story, and this is an excellent way to coax the reader to lose himself in the story world you’re about to create.
I doubt about myself. I think doubts are good in life. The people who don't have doubts I think only two things-arrogance or not intelligence.
[Russians would like to] undermine the West and its institutions, create doubts about NATO, create doubts about the European Union, support nationalists on the right just as the Soviet communists supported communists on the left. Weaken the West in general and create an atmosphere in which we`re uncertain about ourselves.
An intellectual is going to have doubts, for example, about a fundamentalist religious doctrine that admits no doubt, about an imposed political system that allows no doubt, about a perfect aesthetic that has no room for doubt.
In my couple of books, including Going Clear, the book about Scientology, I thought it seemed appropriate at the end of the book to help the reader frame things. Because we've gone through the history, and there's likely conflictual feelings in the reader's mind. The reader may not agree with me, but I don't try to influence the reader's judgment. I know everybody who picks this book up already has a decided opinion. But my goal is to open the reader's mind a little bit to alternative narratives.
It is the specialist's task to talk about means, about centimeters. An artist's task is to talk about the goal, about kilometers, thousands of kilometers. The organizing role of art consists of infecting the reader, of arousing him with pathos or irony -- the cathode and anode in literature. But irony that is measured in centimeters is pathetic, and centimeter-sized pathos is ridiculous. No one can be carried away by it. To stir the reader, the artist must speak not of means but of ends, of the great goal toward which mankind is moving.
I think it's been obvious from the beginning that my projects are not going to be something that people already have in mind. You can't be thinking about such things when you create something.
When we talk about good books, we often talk about good sentences, but what we rarely talk about is reader pleasure. Yet it is reader pleasure that is going to make a book break out into the kind of success that makes it into a household name.
And so, through all the thick mists of the dim doubts in my mind, divine intuitions now and then shoot, enkindling my fog with a heavenly ray. And for this I thank God; for all have doubts; many deny; but doubts or denials, few along with them, have intuitions. Doubts of all things earthly, and intuitions of some things heavenly; this combination makes neither believer nor infidel, but makes a man who regards them both with equal eye.
The deplorable mania of doubt exhausts me. I doubt about everything, even my doubts.
Literature is about telling stories. Now, the gift of literature is that, in some lucky cases, reading a novel or a story makes the reader more curious, more open-minded. It may open a third eye in the middle of the reader's forehead.
One of the convenient things about literature is that, despite copyrights [...] a book belongs to the reader as well as to the writer.
I release all fears and doubts. I accept myself and create peace in my mind and heart. I now choose to free myself from all destructive fears and doubts. I am loved and I am safe.
Cold hearts are not anxious enough to doubt. Men who love will have their misgivings at times; that is not the evil. But the evil is, when men go on in that languid, doubting way, content to doubt, proud of their doubts, morbidly glad to talk about them, liking the romantic gloom of twilight, without the manliness to say,--I must and will know the truth. That did not John. Brethren, John appealed to Christ.
Nice writing isn't enough. It isn't enough to have smooth and pretty language. You have to surprise the reader frequently, you can't just be nice all the time. Provoke the reader. Astonish the reader. Writing that has no surprises is as bland as oatmeal. Surprise the reader with the unexpected verb or adjective. Use one startling adjective per page.
If thy faith have no doubts, thou has just cause to doubt thy faith; and if thy doubts have no hope, thou hast just reason to fear despair; when therefore thy doubts shall exercise thy faith, keep thy hopes firm to qualify thy doubts; so shall thy faith be secured from doubts; so shall thy doubts be preserved from despair.
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