A Quote by Om Puri
I feel even old people can do a nice love story, but here we don't make that kind of films. In the West, such films are being made and they make a nice romance, which is more like compassion.
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I wanted to make films, but the films being made in the 1990s were not my kind. I couldn't break in, and even if I did manage to get a foothold, I didn't know what I would make.
The Oscar for the films, it'd be nice. But I don't make those kind of films, and I don't think that will ever happen.
If we make films only for the frontbenchers, we can't make money. Hence, we have to make it for a majority audience. As my films are mass films, I deal with emotions in raw form - they are not subtle. I don't mind being branded. That does not mean I like only those kinds of films.
I like horror films and romance films. Films where you're going in being like, 'I'm coming here to be scared or to fall in love.' You have a goal.
I do like to make films with a political theme, but sometimes it's nice simply to make people laugh. That's the hardest thing to do in fact.
There's many more films being made in America than there are in Australia. You make four hundred and fifty films a year, we make twenty-five.
I think as a filmmaker one should make all kinds of films. It is not that one should make only one kind of film. I love to see romantic films; I loved watching 'Dilwale Dulhaniya Le Jayenge,' 'Kuch Kuch Hota Hai.' If I make such films, I will make it with my yardstick, according to my parameters.
The films that I loved growing up were the science fiction films from the late seventies and early eighties [films], which were more about the people and how they are affected by the environments that they are in. Whether they are sort of futuristic or alien of whatever they are; that was the science fiction that I loved. So that is what we tried to make, the sort of film that felt like those old films.
Sometimes people feel disappointed when they hear about practicing compassion: "You mean I have to be nice?" It's kind of a letdown. We often overlook compassion, seeing it as merely a pit stop on the way to more advanced practices. We want something more; we don't even know what. But that's just a trick of our mind. One of the greatest teachings is to practice compassion.
I'm nice because, when I was growing up, so many people weren't nice to me, and I remember how that felt. And I don't want to make anyone else feel like that. I value nice.
I think the audience know which films are aimed at their pocket, and which films are aimed at their soul. There are a lot of films out there made by people who are genuinely trying to make a change.
One of the head guys at Disney categorically said to me, 'We don't want to make children's films any more. We want to make films that are going to appeal to all quadrants.' Hence you have films like 'Shrek' and all the Pixar stuff, which is designed to suit everybody.
I try to make films where the audience forgets the filmmaking and gets engrossed in the story as it unfolds. I don't want them to ever feel bored, or that they're being told what to think, or to feel depressed. I don't like films about victims - I want to celebrate brave survivors like Brenda and the wonderful women in the film.
I always feel I have made unfilmable books. I even felt that way about a book of mine that was later made into a movie. But my wife, who has made two films, thinks this one would make a very original film. I'm all for original films.
You can only really understand good if you have bad, so the idea of heaven or anything that happens for eternity, even if it's nice, I can't imagine it being nice forever. Even the idea of forever is kind of ridiculous, which is unfortunate because it's kind of a nice thing to say, you know.
The secrecy thing has gotten to be more and more prevalent in films, and maybe that's good. It's nice to go see a film and not know anything about it. Sometimes I feel like we know too much about films.
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